by S.M. Hulse ‧ RELEASE DATE: Feb. 11, 2020
Reflective, evocative, and quietly moving.
Hulse follows up her strong debut (Black River, 2015) with an even stronger novel about the fallout from an act of domestic terrorism.
When Josephine Faber learns that her brother, Samuel, has fled after bombing a Montana district courthouse, it caps the string of losses that have shaped her life. Her father was killed in a mine collapse when she was a baby, and an enraged ex-boyfriend shot and killed their mother when Jo was 10 and Samuel, 17; a stray bullet left Jo paralyzed. Samuel’s terrible act—12 people at a nearby storefront church were injured, and the pastor’s young daughter is in critical condition—was provoked by the impending loss of their house, about to be torn down by the state to build a new highway. Jo is horrified but not surprised; Samuel was a virulent racist in high school, and although he burned his Nazi flag and wears long-sleeved shirts over his swastika tattoo, she’s aware that his anti-government ideas remain the same. But her brother has tenderly cared for her for more than a decade, and she can’t stop loving him. The story unfolds slowly, mingling Jo’s account with Samuel’s explanatory missive to her (written on a map she will later find) and the anguished internal monologues of pastor Asa Truth, whose faith has been badly shaken by his daughter’s injuries. He won’t get any help from Jo, a confirmed nonbeliever since her mother’s death, but they form a bond forged by mutual grief; Jo’s connection to protective Sheriff Hawkins is another relationship Hulse limns with sensitive acuity. Several harrowing scenes underscore Jo’s vulnerability due to her physical disability, but she still rides a cherished mule and tends to outdoor chores thanks to the various devices Samuel has rigged. Her struggles to paint pictures more meaningful than the pretty, sanitized canvases she sells to tourists form another strand of Hulse’s dense yet lucid narrative. The nail-biting denouement is violent yet restrained, an additional sign of this young writer’s mature artistic powers.
Reflective, evocative, and quietly moving.Pub Date: Feb. 11, 2020
ISBN: 978-0-374-14647-4
Page Count: 272
Publisher: Farrar, Straus and Giroux
Review Posted Online: Oct. 27, 2019
Kirkus Reviews Issue: Nov. 15, 2019
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BOOK REVIEW
by S.M. Hulse
by Kristin Hannah ‧ RELEASE DATE: Feb. 3, 2015
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
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BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
by Kristin Hannah ‧ RELEASE DATE: Feb. 6, 2018
A tour de force.
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New York Times Bestseller
In 1974, a troubled Vietnam vet inherits a house from a fallen comrade and moves his family to Alaska.
After years as a prisoner of war, Ernt Allbright returned home to his wife, Cora, and daughter, Leni, a violent, difficult, restless man. The family moved so frequently that 13-year-old Leni went to five schools in four years. But when they move to Alaska, still very wild and sparsely populated, Ernt finds a landscape as raw as he is. As Leni soon realizes, “Everyone up here had two stories: the life before and the life now. If you wanted to pray to a weirdo god or live in a school bus or marry a goose, no one in Alaska was going to say crap to you.” There are many great things about this book—one of them is its constant stream of memorably formulated insights about Alaska. Another key example is delivered by Large Marge, a former prosecutor in Washington, D.C., who now runs the general store for the community of around 30 brave souls who live in Kaneq year-round. As she cautions the Allbrights, “Alaska herself can be Sleeping Beauty one minute and a bitch with a sawed-off shotgun the next. There’s a saying: Up here you can make one mistake. The second one will kill you.” Hannah’s (The Nightingale, 2015, etc.) follow-up to her series of blockbuster bestsellers will thrill her fans with its combination of Greek tragedy, Romeo and Juliet–like coming-of-age story, and domestic potboiler. She re-creates in magical detail the lives of Alaska's homesteaders in both of the state's seasons (they really only have two) and is just as specific and authentic in her depiction of the spiritual wounds of post-Vietnam America.
A tour de force.Pub Date: Feb. 6, 2018
ISBN: 978-0-312-57723-0
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Oct. 30, 2017
Kirkus Reviews Issue: Nov. 15, 2017
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