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REJECTIONS BY THE CAUTIOUS SKEPTIC

A creative but mixed bag of sometimes-bizarre tales.

A short story collection about the problematic lives of mostly young people.  

The opening story, “Dead Uncle,” follows Roy, a Maine entrepreneur who owns the state’s only drive-thru funeral business, which gets its share of mentally exhausted caregivers finally experiencing personal freedom. In “Uninscribed Tablet,” a CIA double agent perplexes the unnamednarrator who tries in vain to unscramble her motives and capture her romantic attention; the speaker of “Don’t Leave Me Alone!” reflects on the friends he made and betrayed in grade school, and what became of them. In the longest and most fully realized story, “Surgery Without Anesthesia,” a carload of road-tripping buddies embark on a journey to Cape Cod and fill the journey with good-natured ribbing and “surface-layer bullshitting”; only at the end of the story do readers learn of one friend’s secret, which comes as a shock to the others. Overall, this is a breezy collection of tales that stretch the boundaries of the short-fiction form in a moderately appealing fashion. However, many are narrated in the immature voices of teenagers and too often feel like clipped scenes from a larger story. This is apparent in the standout “Fair-Weather Best Friends Forever,” in which a carload of high school seniors runs out of gas and the narrator, after years of rickety friendships, grows weary of them as they walk to a party. Here, the author’s characterization is at its most lucid and the situation is compelling enough to make readers want more. However, the tale ends just as the plot starts to simmer. Other works disappoint as they amount to mere sketches of a plot or a fleeting thought, such as the dreams of a transatlantic traveler or the panic-stricken diatribe of an insurance adjuster whose self-described “Double Life” is exposed by a felonious co-worker. Two short “essays” form the collection’s perplexing conclusion, including one credited to a “ghost contacted by Ouija board.”  

A creative but mixed bag of sometimes-bizarre tales.

Pub Date: Feb. 5, 2020

ISBN: N/A

Page Count: 57

Publisher: Self

Review Posted Online: May 18, 2021

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BURY OUR BONES IN THE MIDNIGHT SOIL

A beautiful meditation on queer identity against a supernatural backdrop.

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Three women deal very differently with vampirism in Schwab’s era-spanning follow-up to The Invisible Life of Addie LaRue (2020).

In 16th-century Spain, Maria seduces a wealthy viscount in an attempt to seize whatever control she can over her own life. It turns out that being a wife—even a wealthy one—is just another cage, but then a mysterious widow offers Maria a surprising escape route. In the 19th century, Charlotte is sent from her home in the English countryside to live with an aunt in London when she’s found trying to kiss her best friend. She’s despondent at the idea of marrying a man, but another mysterious widow—who has a secret connection to Maria’s widow from centuries earlier—appears and teaches Charlotte that she can be free to love whomever she chooses, if she’s brave enough. In 2019, Alice’s memories of growing up in Scotland with her mercurial older sister, Catty, pull her mind away from her first days at Harvard University. And though she doesn’t meet any mysterious widows, Alice wakes up alone after a one-night stand unable to tolerate sunlight, sporting two new fangs, and desperate to drink blood. Horrified at her transformation, she searches Boston for her hookup, who was the last person she remembers seeing before she woke up as a vampire. Schwab delicately intertwines the three storylines, which are compelling individually even before the reader knows how they will connect. Maria, Charlotte, and Alice are queer women searching for love, recognition, and wholeness, growing fangs and defying mortality in a world that would deny them their very existence. Alice’s flashbacks to Catty are particularly moving, and subtly play off themes of grief and loneliness laid out in the historical timelines.

A beautiful meditation on queer identity against a supernatural backdrop.

Pub Date: June 10, 2025

ISBN: 9781250320520

Page Count: 544

Publisher: Tor

Review Posted Online: March 22, 2025

Kirkus Reviews Issue: April 15, 2025

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THE WEDDING PEOPLE

Uneven but fitfully amusing.

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Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.

Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.

Uneven but fitfully amusing.

Pub Date: July 30, 2024

ISBN: 9781250899576

Page Count: 384

Publisher: Henry Holt

Review Posted Online: Sept. 13, 2024

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