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REJECTIONS BY THE CAUTIOUS SKEPTIC

A creative but mixed bag of sometimes-bizarre tales.

A short story collection about the problematic lives of mostly young people.  

The opening story, “Dead Uncle,” follows Roy, a Maine entrepreneur who owns the state’s only drive-thru funeral business, which gets its share of mentally exhausted caregivers finally experiencing personal freedom. In “Uninscribed Tablet,” a CIA double agent perplexes the unnamednarrator who tries in vain to unscramble her motives and capture her romantic attention; the speaker of “Don’t Leave Me Alone!” reflects on the friends he made and betrayed in grade school, and what became of them. In the longest and most fully realized story, “Surgery Without Anesthesia,” a carload of road-tripping buddies embark on a journey to Cape Cod and fill the journey with good-natured ribbing and “surface-layer bullshitting”; only at the end of the story do readers learn of one friend’s secret, which comes as a shock to the others. Overall, this is a breezy collection of tales that stretch the boundaries of the short-fiction form in a moderately appealing fashion. However, many are narrated in the immature voices of teenagers and too often feel like clipped scenes from a larger story. This is apparent in the standout “Fair-Weather Best Friends Forever,” in which a carload of high school seniors runs out of gas and the narrator, after years of rickety friendships, grows weary of them as they walk to a party. Here, the author’s characterization is at its most lucid and the situation is compelling enough to make readers want more. However, the tale ends just as the plot starts to simmer. Other works disappoint as they amount to mere sketches of a plot or a fleeting thought, such as the dreams of a transatlantic traveler or the panic-stricken diatribe of an insurance adjuster whose self-described “Double Life” is exposed by a felonious co-worker. Two short “essays” form the collection’s perplexing conclusion, including one credited to a “ghost contacted by Ouija board.”  

A creative but mixed bag of sometimes-bizarre tales.

Pub Date: Feb. 5, 2020

ISBN: N/A

Page Count: 57

Publisher: Self

Review Posted Online: May 18, 2021

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THE CALAMITY CLUB

Fans of Stockett’s bestselling debut will love this engaging follow-up.

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Stockett heads to Mississippi for another historical novel about feisty women.

This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.

Fans of Stockett’s bestselling debut will love this engaging follow-up.

Pub Date: May 5, 2026

ISBN: 9781954118812

Page Count: 656

Publisher: Spiegel & Grau

Review Posted Online: Feb. 2, 2026

Kirkus Reviews Issue: March 1, 2026

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STITCHED

Simply charming.

A lovable gaggle of competitive quilters attempts to defy the odds.

The ladies of the Ogden Quilters Association are gearing up for another Simpton Family Quilting Extravaganza, and this year’s nationwide competition is extra special: It’s taking place just an hour away in Smithfield, Utah. For Betty Lou Dearden, OQA’s leader and most faithful member, who never misses a Wednesday quilting night and delights in reading the bylaws, this is a dream come true—a chance to put Utah quilting on the map. But beneath her bubbly surface, Betty Lou is struggling—longtime member Leera Smeeth has been passive aggressively shooting down Betty Lou’s ideas and attacking her sense of self for years (see: a particularly biting comment about her beloved peach bathroom); her children rarely visit; and her husband’s health is declining. And to top it off, OQA is down a member since Terry Blackfoot left following the oft-referenced but never explained “needle incident.” OQA’s remaining members—flighty but lovable Lucy Jones; dependable Diane Williams and her roommate, Alice Flagstaff; and innovative Candace Braithwaite—need more support. Enter Byron Grant, a gay sewing store manager who deals in rumor and gossip as much as in thread and batting, and his best friend, shy, artistic Rob, both younger than the youngest OQA member by about 30 years. Don’t worry, there’s nothing in the bylaws expressly prohibiting men. And so this quirky group of artisans attempts to dethrone the always-winning, clearly evil Logan Quilters Society (“We don’t hate anyone!...We just don’t prefer to associate with cheaters”), all the while wrestling with interpersonal conflict, trauma, and, let’s face it, a few tacky ideas. The plot is silly and largely predictable, but McCann’s prose is bursting at the seams with humor and genuinely tender, touching moments. You’ll root for these misfits from Page 1.

Simply charming.

Pub Date: Sept. 8, 2026

ISBN: 9798890920461

Page Count: 260

Publisher: Torrey House Press

Review Posted Online: July 20, 2026

Kirkus Reviews Issue: Aug. 15, 2026

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