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1,000 YEARS AGO ON PLANET EARTH

Name: 1,000 YEARS AGO ON PLANET EARTH
Author: Sneed B. Collard III
ISBN: 0-395-90866-3

by Sneed B. Collard III ‧ RELEASE DATE: Sept. 1, 1999

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How did people live 1,000 years ago? Collard (Animal Dads, 1997, etc.) presents a different region or civilization on each spread, introducing the Anasazi and Mississippian of North America, Mayan of Central America, Chimu of Peru, Vikings of Northern Europe, Muslims of the Middle East, Shona of West Africa, the Chola dynasty of India, Song dynasty of China, and the Aborigines of Australia. For most civilizations, the author selects high points, but Central and Southern Europe is a place where “culture and civilization were floundering,” while the spread on Northern Europe provides little information on how people lived, stressing instead that the Vikings raided “defenseless towns and villages across Europe and Asia” where they “slaughtered their enemies, ransomed rulers, and seized slaves, silver, and other valuables.” For the most part, however, Collard captures the essence of a culture in a few brief paragraphs. Hunt attempts to provide additional clues to the culture, showing clothing, artifacts and the architecture, but the facial expressions are often fierce, or at least somber, and the emphasis on blood in the Aborigine and Northern European spreads taps into stereotypes. Nevertheless, this is a good introduction that will encourage more exploration. (map, further reading) (Picture book/nonfiction. 9-12)

Pub Date: Sept. 1, 1999

ISBN: 0-395-90866-3

Page Count: 32

Publisher: Houghton Mifflin

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 1, 1999

Categories:

CHILDREN'S HISTORY

- BOOK REVIEW
BORDER CROSSINGS
by Sneed B. Collard III ; illustrated by Howard Gray

- BOOK REVIEW
BEAVER AND OTTER GET ALONG...SORT OF
by Sneed B. Collard III ; illustrated by Meg Sodano

- BOOK REVIEW
ONE IGUANA, TWO IGUANAS
by Sneed B. Collard III

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THE CENTURY FOR YOUNG PEOPLE

by Peter Jennings & Todd Brewster ‧ RELEASE DATE: Oct. 1, 1999

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Just in time for the millennium comes this adaptation of Jennings and Brewster’s The Century (1998). Still a browsable, coffee-table edition, the book divides the last 100 years more or less by decade, with such chapter headings as “Shell Shock,” “Global Nightmare,” and “Machine Dreams.” A sweeping array of predominantly black-and-white photographs documents the story in pictures—from Theodore Roosevelt to O.J., the Panama Canal to the crumbling Berlin Wall, the dawn of radio to the rise of Microsoft—along with plenty of captions and brief capsules of historical events. Setting this volume apart, and making it more than just a glossy textbook overview of mega-events, are blue sidebars that chronicle the thoughts, actions, and attitudes of ordinary men, women, and children whose names did not appear in the news. These feature-news style interviews feature Milt Hinton on the Great Migration, Betty Broyles on a first automobile ride, Sharpe James on the effect of Jackie Robinson’s success on his life, Clara Hancox on growing up in the Depression, Marnie Mueller on life as an early Peace Corps volunteer, and more. The authors define the American century by “the inevitability of change,” a theme reflected in the selection of photographs and interviews throughout wartime and peacetime, at home and abroad. While global events are included only in terms of their impact on Americans, this portfolio of the century is right for leafing through or for total immersion. (index) (Nonfiction. 9-12)

Pub Date: Oct. 1, 1999

ISBN: 0-385-32708-0

Page Count: 245

Publisher: Doubleday

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 1, 1999

Categories:

CHILDREN'S HISTORY

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CIVIL WAR ARTIST

by Taylor Morrison ‧ RELEASE DATE: April 1, 1999

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It took four weeks for illustrations of scenes from the US’s Civil War battles to make it from the front lines to readers’ hands; Morrison (Cheetah, 1998, etc.) explains that process in his uniquely handsome book. Morrison introduces the fictional artist, William Forbes, commissioned by the fictional Burton’s Illustrated News to follow the Union Army into battle at Bull Run. Throughout the day’s fighting Forbes makes quick sketches; it is risky business, and he is often in mortal peril. That night he makes a more complete drawing, which is handed to a courier and taken back to the Burton offices. There, engravers set to work translating Forbes’s drawing to a grid of wood blocks (Morrison includes interesting incidentals along the way, giving the process its due). The images are converted to electrotype, whereafter it is finally ready for the operators and pressman. Shortly after that, the newsboys are seen hawking the illustrated weekly, containing Forbes’s image a mere month after the actual event. Morrison successfully renders the complexities of illustrating newspapers 150 years ago, and just as successfully conveys that in abandoning the wood block for the photograph, some of the art was sacrificed for speed. (glossary) (Picture book. 6-10)