A dystopian novel that seems all too real.
A Ukrainian woman strives to rise to the top of the international fertility racket but miscalculates how close she can skirt criminality without becoming either a target or a criminal herself.
We first see Olenka, the narrator, in 2016 in a Helsinki dog park, where she’s observing a certain young family. The timeline pleats and folds in on itself according to Olenka’s memories and fears. Olenka is from Snizhne, a polluted town in eastern Ukraine, where most inhabitants earn a subsistence living. Many work in illegal, unregulated coal mines known as kopankas, where accidents run rampant, which is ostensibly how her beloved father died. Olenka and her widowed mother were reduced from relatively comfortable circumstances to living with relatives engaged in the lower echelons of opium farming. Now, Daria, a former colleague, has joined Olenka in Helsinki, much to Olenka’s chagrin. The two were involved in an outwardly legitimate, extremely profitable fertility institute which furnished egg donors and surrogates to the exacting specifications of wealthy clients—including the dog park family. Both women—whose fathers were friends in Snizhne days—saw fertility work as their main chance to escape poverty. Olenka is in Finland under an assumed name, and Daria’s arrival poses a threat: If Olenka’s whereabouts were known, she would be in mortal danger, even from the man she loves, whom she addresses as “you” in incessant mental conversations. The thriller aspect sneaks up on the reader as information is tortuously eked out about Olenka’s at-first unwitting ties to a clan of ruthless oligarchs. Oksanen subtly but viscerally depicts jeopardy and romance without resorting to graphic descriptions. As suspense mounts, occasionally at the expense of coherence, we learn much about the precarious state of post-Soviet Ukraine and its chaotic economy, in which gangsterism rules, violence is celebrated, and exploitation of women is big business.
A dystopian novel that seems all too real.Pub Date: Sept. 21, 2021
ISBN: 978-0-525-65947-1
Page Count: 368
Publisher: Knopf
Review Posted Online: June 28, 2021
Kirkus Reviews Issue: July 15, 2021
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
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