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WAVE

Excellent. Reading her account proves almost as cathartic as writing it must have been.

A devastating but ultimately redemptive memoir by a survivor of the 2004 Sri Lankan tsunami, who must come to terms with the deaths of her husband, her young sons and her parents from the natural disaster that somehow spared her.

Deraniyagala is an economist, and her matter-of-fact account is all the more powerful for its lack of literary flourish, though the craft and control reflect an exceptional literary command. Every word in these short, declarative sentences appears to have been chosen with great care, as if to sentimentalize the experience or magnify the horror (as if that were possible) would be a betrayal of all she has lost. It’s no surprise when the first and strongest acknowledgment goes to her therapist: “This book would not exist without his guidance and persuasion. With him I was safe, to try and grasp the unfathomable, and to dare to remember.” “The water was pulling me along with a speed I did not recognize, propelling me forward with a power I could not resist,” she writes of what she later learned was “the biggest natural disaster ever,” one that would claim a quarter of a million casualties. “I had to surrender to this chaos…,” she continues. “My mind could not sort anything out.” Eventually, the numbness of her survival gives way to profound guilt (she should have done something, she should never have brought them there), rage, a refusal to sleep (lest she awake to the fantasy that her family was still alive), an attempt to avoid any experience or memories she shared with them and an obsessive pull toward suicide. And then, as miraculously as her rescue, she eventually reached the point where “I want to remember. I want to know.” The more she remembers about their life before the tsunami, and in greater depth and detail, she writes “I am stunned. I want to put a fist through these last six years and grab our life. Claim it back.”

Excellent. Reading her account proves almost as cathartic as writing it must have been.

Pub Date: March 5, 2013

ISBN: 978-0-307-96269-0

Page Count: 240

Publisher: Knopf

Review Posted Online: Jan. 12, 2013

Kirkus Reviews Issue: Feb. 1, 2013

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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