Nicely produced and balanced in its instructive approach.
When a giant elephant arrives as a birthday present for the prime minister of Han, his 6-year-old prodigy son, Cao Chong, orchestrates a plan to measure the beast’s weight.
Amazed by its size, spectators begin to place wagers on the elephant’s enormous weight. But without a scale large enough and strong enough to withstand the animal’s hefty mass, a challenge is presented to the prime minister’s advisers. Much deliberation ensues, and when a suggestion to slice the elephant into smaller pieces to fit on a regular scale is made, Chong intervenes with a more clever and ingenious plan. The mathematical puzzle is deftly explained in a story based on ancient Chinese history. Chong places the elephant in a boat, marks a water line on the outside of the boat, replaces the elephant with as many rocks as needed to lower the boat to the same water level and combines the principal of buoyancy with the total volume of rocks to calculate the elephant’s weight. Black-outlined colorful paintings provide a lush backdrop for the story’s circa–200 C.E. China setting, with royal characters in long robes and bejeweled crowns. An addendum includes well-defined activities for understanding buoyancy and scale measurement, a succinct history and geography of the Han Dynasty, and a biography of Cao Chong.
Nicely produced and balanced in its instructive approach. (Picture book. 5-8)Pub Date: Sept. 10, 2017
ISBN: 978-1-62855-903-3
Page Count: 32
Publisher: Arbordale Publishing
Review Posted Online: July 1, 2017
Kirkus Reviews Issue: July 15, 2017
Blandly laudatory.
The iconic animator introduces young readers to each “happy place” in his life.
The tally begins with his childhood home in Marceline, Missouri, and climaxes with Disneyland (carefully designed to be “the happiest place on Earth”), but the account really centers on finding his true happy place, not on a map but in drawing. In sketching out his early flubs and later rocket to the top, the fictive narrator gives Ub Iwerks and other Disney studio workers a nod (leaving his labor disputes with them unmentioned) and squeezes in quick references to his animated films, from Steamboat Willie to Winnie the Pooh (sans Fantasia and Song of the South). Eliopoulos incorporates stills from the films into his cartoon illustrations and, characteristically for this series, depicts Disney as a caricature, trademark mustache in place on outsized head even in childhood years and child sized even as an adult. Human figures default to white, with occasional people of color in crowd scenes and (ahistorically) in the animation studio. One unidentified animator builds up the role-modeling with an observation that Walt and Mickey were really the same (“Both fearless; both resourceful”). An assertion toward the end—“So when do you stop being a child? When you stop dreaming”—muddles the overall follow-your-bliss message. A timeline to the EPCOT Center’s 1982 opening offers photos of the man with select associates, rodent and otherwise. An additional series entry, I Am Marie Curie, publishes simultaneously, featuring a gowned, toddler-sized version of the groundbreaking physicist accepting her two Nobel prizes.
Blandly laudatory. (bibliography) (Picture book/biography. 6-8)Pub Date: Sept. 10, 2019
ISBN: 978-0-7352-2875-7
Page Count: 40
Publisher: Dial Books
Review Posted Online: Aug. 17, 2019
Kirkus Reviews Issue: Sept. 1, 2019
Just the ticket for an armchair outing to the red planet.
Good news! Planet Marvelous is looking forward to visitors from Planet Awesome.
With the same exuberance that propelled readers deep into her Ocean! Waves for All (2020), illustrated by David Litchfield, and its three predecessors in the Our Universe series, McAnulty looks to the next planet out for a fresh set of enticing natural wonders. Billing itself a “party planet” (“I want to be the FIRST planet with human guests”), the russet raconteur trumpets its unique attractions. These range from moons Deimos and Phobos (“I know Earth is totally jealous”) to Olympus Mons and Valles Marineris, which is “four times as deep as the Grand Canyon! And not nearly as crowded.” Sure, unlike Spirit, Opportunity, and other rovers, human visitors will have to pack their own water and oxygen in addition to traveling millions of miles…but given a few technological advances, soon enough it’ll be time to “get this party started!” Prospective tourists diverse of age and race are dancing already on Earth in a final scene in anticipation of a trip to our “reMARkable” neighbor. Quiz questions and a timeline cap an enticement that echoes Susanna Leonard Hill’s Mars’ First Friends: Come on Over, Rovers! (2020), illustrated by Elisa Paganelli, in its fizzy mix of fact and fancy. (This book was reviewed digitally with 10-by-20-inch double-page spreads viewed at 75% of actual size.)
Just the ticket for an armchair outing to the red planet. (sources) (Informational picture book. 6-8)Pub Date: Feb. 9, 2021
ISBN: 978-1-250-25688-1
Page Count: 40
Publisher: Henry Holt
Review Posted Online: Oct. 26, 2020
Kirkus Reviews Issue: Nov. 15, 2020
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
