by Sònia Hernández ; translated by Samuel Rutter ‧ RELEASE DATE: Feb. 2, 2021
A conceptually fascinating book.
A narratively ambitious reflection on art, beauty, motherhood, and identity by Spanish novelist Hernández.
Fifteen-year-old Berta believes she is destined to bear witness to life’s ugliness, even thinking her friend’s illness is part of her own suffering. After learning in school about prosopagnosia, which is the inability to recognize faces, she and her friends Mario and Lucas play a game in which they stare into a mirror and hold their breath until one of them no longer recognizes themself or the others give up or faint. One day, Berta stops breathing as she stares at a painting that's leaning against the wall in the entryway at school and begins to faint. Luckily, before she can hit her head, she's caught by the mysterious man who made the painting. The painter, who claims to be the exiled Mexican artist Vicente Rojo, insists on giving the artwork to Berta. Berta’s mother, a former journalist for the regional newspaper, sees this meeting as an opportunity to restart her career and insists on interviewing the artist. The book is written in two parts, “Prosopagnosia” and “The Man Who Thought He Was Vicente Rojo.” In "Prosopagnosia," Berta’s mother, the narrator, shifts back and forth between third and first person, blurring her thoughts and reality, which is disorienting. At one point she admits, “Now, in my mind, I confuse what I thought during the interview with what the artist said, the notes I took, and what I thought upon reflection afterwards.” “The Man Who Thought He Was Vicente Rojo” feels like a rewrite of “Prosopagnosia.” Berta’s mother fills in gaps from earlier as she recounts her start as a journalist, desire for recognition, and events leading to the interview’s completion with the clarity “Prosopagnosia” lacked. Like both the artist who claims to be Vicente Rojo and her daughter, who stares at herself until she cannot recognize herself, Berta’s mother wants to be someone she’s not.
A conceptually fascinating book.Pub Date: Feb. 2, 2021
ISBN: 978-1-950354-44-3
Page Count: 128
Publisher: Scribe
Review Posted Online: Nov. 17, 2020
Kirkus Reviews Issue: Dec. 1, 2020
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by Kathryn Stockett ‧ RELEASE DATE: May 5, 2026
Fans of Stockett’s bestselling debut will love this engaging follow-up.
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New York Times Bestseller
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
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by Eli McCann ‧ RELEASE DATE: Sept. 8, 2026
Simply charming.
A lovable gaggle of competitive quilters attempts to defy the odds.
The ladies of the Ogden Quilters Association are gearing up for another Simpton Family Quilting Extravaganza, and this year’s nationwide competition is extra special: It’s taking place just an hour away in Smithfield, Utah. For Betty Lou Dearden, OQA’s leader and most faithful member, who never misses a Wednesday quilting night and delights in reading the bylaws, this is a dream come true—a chance to put Utah quilting on the map. But beneath her bubbly surface, Betty Lou is struggling—longtime member Leera Smeeth has been passive aggressively shooting down Betty Lou’s ideas and attacking her sense of self for years (see: a particularly biting comment about her beloved peach bathroom); her children rarely visit; and her husband’s health is declining. And to top it off, OQA is down a member since Terry Blackfoot left following the oft-referenced but never explained “needle incident.” OQA’s remaining members—flighty but lovable Lucy Jones; dependable Diane Williams and her roommate, Alice Flagstaff; and innovative Candace Braithwaite—need more support. Enter Byron Grant, a gay sewing store manager who deals in rumor and gossip as much as in thread and batting, and his best friend, shy, artistic Rob, both younger than the youngest OQA member by about 30 years. Don’t worry, there’s nothing in the bylaws expressly prohibiting men. And so this quirky group of artisans attempts to dethrone the always-winning, clearly evil Logan Quilters Society (“We don’t hate anyone!...We just don’t prefer to associate with cheaters”), all the while wrestling with interpersonal conflict, trauma, and, let’s face it, a few tacky ideas. The plot is silly and largely predictable, but McCann’s prose is bursting at the seams with humor and genuinely tender, touching moments. You’ll root for these misfits from Page 1.
Simply charming.Pub Date: Sept. 8, 2026
ISBN: 9798890920461
Page Count: 260
Publisher: Torrey House Press
Review Posted Online: July 20, 2026
Kirkus Reviews Issue: Aug. 15, 2026
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