Witless and lame debut.
An “ethnic chick-lit” entry about a southern California Indo-American woman, who turns out to be the reincarnation of the Hindu goddess Kali, reads like a dumbed-down episode of Buffy the Vampire Slayer.
Maya is 30, unmarried, unemployed, and the only one in her extended family who isn’t a doctor. A matchmaking aunt sets her up with Tahir, who flies in from Delhi, and, when Maya goes to the airport to tell him she refuses to marry a stranger, she’s kidnapped by Ram and Sanjay, taken to a motel room, and informed that the dark goddess Kali has returned in Maya’s body. Her task: to recognize evil and stop it. Maya drops by Barnes & Noble to research Kali. Result: “If I were Kali’s personal shopper I’d dress her in Dolce & Gabbana and advise leaving the necklace of freshly cut heads at home.” In sessions at Taco Bell, Ram tutors Maya in her duties, providing her with a ruby-encrusted sword and suggestions about how to take on her powers. Meanwhile, Tahir, who turns out to be a “hottie,” is also unwilling to accept the traditional arranged marriage. He and Maya are having a bumpy time of it (she’s always disappearing to take care of Kali business; he keeps flirting with her cousin Nadia). But Maya continues to find him appealing (at a party, her gynecologist aunt, seeing her gaze at Tahir, announces, “Maya’s aroused, I recognize the signs. . . . No doubt her inner labia have begun to swell and darken in color”). Finally Maya gets drunk at a bar, calls Tahir to pick her up, and they end up in bed together. Afterward, Maya informs us, “The goddess was pretty damn good in the sack.” Too bad that Maya is a vulgar, shallow, self-involved, unappealing narrator, given to puking and profanity when she’s not busy telling us about her Manolos, Tommy Bahama sandals, Armani jeans, and pink cashmere Ralph Lauren top.
Witless and lame debut.Pub Date: July 1, 2004
ISBN: 0-06-059036-X
Page Count: 352
Publisher: Avon/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.
Pub Date: Nov. 7, 1990
ISBN: 0394588169
Page Count: 424
Publisher: Knopf
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: Oct. 15, 1990
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