by Sonya Huber ‧ RELEASE DATE: March 21, 2008
Bumpy, but a unique, imaginative take on the family memoir.
Political activist Huber (Writing and Linguistics/Georgia Southern Univ.) combines original research, historical fiction and personal recollections in her attempt to connect with the anti-Nazi grandfather she never met.
Seeking an example of those who balanced activism, career and family as she struggled to do, the author traveled to the Ruhr region to study the life of her maternal grandfather—“Opa” in German—Heinrich (Heina) Buschmann Jr. Huber’s mother once called him a “nobody,” but he was in fact a tireless voice for the working class and a respected leader of Germany’s Social Democratic Party (SPD), a group caught between the extremes of Communism and Nazism. To discern this voice and “summon” her grandfather, Huber crafts fictional scenes from Heina’s life, interspersing them with passages about her own parallel experiences. Heina hands out leaflets for a parliamentary election; Huber protests the Iraq War. Heina considers leaving the party his father helped build when it supports rearmament; Huber devastates her immigrant mother by quitting college and joining an anarchist group. These echoes are occasionally forced, and the disparity between consequences for activists in a brutal dictatorship and those in a free-speech democracy sometimes makes the author’s examples seem trivializing. In addition to inhabiting Heina’s thoughts, Huber sets herself a further challenge in striving to understand his brother, Jupp, who joined Hitler’s elite guard, the SS. The narrative’s tension is undermined when historical passages are directly succeeded by commentary identifying them as fabrication. Even so, sharp human insights on the omnipresent moral complications of living in Nazi Germany make this a worthwhile read.
Bumpy, but a unique, imaginative take on the family memoir.Pub Date: March 21, 2008
ISBN: 978-0-8032-1080-6
Page Count: 380
Publisher: Univ. of Nebraska
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 2008
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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