by Soon Wiley ‧ RELEASE DATE: April 26, 2022
A dark coming-of-age tale in the form of a mystery.
Four young people with varied backgrounds struggle for acceptance in Seoul, one of them with tragic results.
Under great pressure from her demanding military father, Yu-jin, a sensitive girl from the southern part of South Korea, gains acceptance to a prestigious all-girls college in Seoul. She secretly hopes to "reinvent [her]self, start anew" in the dazzling big city, where she will discover her passion for filmmaking. But after her parents move to the capital and her father is named National Minister of Defense, she remains under close scrutiny. That creates big problems for her after she falls for So-ra, a strong-willed female classmate who wants to be open about their romance. To divert (literal) spying eyes, Yu-jin dates Min, a likable biracial Korean American who moved to Seoul from Los Angeles as a Samsung consultant in hopes of finding "some sense of belonging." Then there is the stylish Misaki, a Japanese outsider from a wealthy family whom Yu-jin and So-ra invite to be their roommate—only to coldly ignore her—as another means of hiding the true nature of their relationship. All permutations of this four-way connection unfold dramatically after Yu-jin is found dead of an apparent suicide. In an unusual format, the story is told in alternating chapters by Min (through the third person) as he investigates Yu-jin's death under threat from government operatives, and by Yu-jin, who narrates the events leading up to her death. Wiley, a first-time novelist, tends to explain his characters' needs and motivations. But fueled by deep feeling and a powerful sense of place, the book gains real emotional traction in capturing the despair of striving individuals pushed to the margins by conformist norms.
A dark coming-of-age tale in the form of a mystery.Pub Date: April 26, 2022
ISBN: 978-0-593-18514-8
Page Count: 368
Publisher: Dutton
Review Posted Online: March 1, 2022
Kirkus Reviews Issue: March 15, 2022
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by Max Brooks ‧ RELEASE DATE: June 16, 2020
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
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New York Times Bestseller
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
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by Joanna Wallace ‧ RELEASE DATE: April 16, 2024
Squeamish readers will find this isn’t their cup of tea.
Dexter meets Killing Eve in Wallace’s dark comic thriller debut.
While accepting condolences following her father’s funeral, 30-something narrator Claire receives an email saying that one of her paintings is a finalist for a prize. But her joy is short-circuited the next morning when she learns in a second apologetic note that the initial email had been sent to the wrong Claire. The sender, Lucas Kane, is “terribly, terribly sorry” for his mistake. Claire, torn between her anger and suicidal thoughts, has doubts about his sincerity and stalks him to a London pub, where his fate is sealed: “I stare at Lucas Kane in real life, and within moments I know. He doesn’t look sorry.” She dispatches and buries Lucas in her back garden, but this crime does not go unnoticed. Proud of her meticulous standards as a serial killer, Claire wonders if her grief for her father is making her reckless as she seeks to identify the blackmailer among the members of her weekly bereavement support group. The female serial killer as antihero is a growing subgenre (see Oyinkan Braithwaite’s My Sister, the Serial Killer, 2018), and Wallace’s sociopathic protagonist is a mordantly amusing addition; the tool she uses to interact with ordinary people while hiding her homicidal nature is especially sardonic: “Whenever I’m unsure of how I’m expected to respond, I use a cliché. Even if I’m not sure what it means, even if I use it incorrectly, no one ever seems to mind.” The well-written storyline tackles some tough subjects—dementia, elder abuse, and parental cruelty—but the convoluted plot starts to drag at the halfway point. Given the lack of empathy in Claire’s narration, most of the characters come across as not very likable, and the reader tires of her sneering contempt.
Squeamish readers will find this isn’t their cup of tea.Pub Date: April 16, 2024
ISBN: 9780143136170
Page Count: 336
Publisher: Penguin
Review Posted Online: Feb. 3, 2024
Kirkus Reviews Issue: March 1, 2024
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