by Sophia Shalmiyev ‧ RELEASE DATE: Feb. 12, 2019
A sharply intelligent, lyrically provocative memoir.
A feminist nonfiction writer’s memoir about growing up between two cultures and her search for the mother from whom she was separated as a child.
When she was young, Shalmiyev’s Azerbaijani father took her alcoholic Russian mother to court. A judge declared Elena—who was so addicted she drank cologne when she didn’t have vodka—an unfit mother, estranging her from the family. Her father spirited his daughter away from Leningrad “without a goodbye” to Elena just before the fall of communism and immigrated to the United States. Settling in New York, he married a Ukrainian woman who followed him from Leningrad. The teenage Shalmiyev developed an interest in feminism and female artists such as Sappho, Doris Lessing, and Kathy Acker, among others. Throughout, the author interweaves references to these figures among the impressionistic vignettes that comprise the primary narrative. She also recounts the days in her early 20s when she worked as a peep show stripper among women “caustic with mocking sarcasm, not having any of IT.” With Elena never far from her thoughts, she also secretly wrote letters to her mother in English as a “process of mourning my mother [and]…what she did and did not provide me in life.” Shalmiyev then returned to Russia to look for Elena only to find that she could not locate her mother anywhere. She continued living aimlessly after that, indulging her penchant for parties and “loud and raucous night[s] that ignore[d] the nuzzling rays of daylight.” When she finally married, it was with trepidation—not just for the end of her “party-girl” days, but also for a life of settled domesticity. Shalmiyev knew it was in her just as it was in her mother “to leave [her] children…[and] make them unhappy.” Ultimately, though, she chose a path that tested her ability to nurture and forgive. A rich tapestry of autobiography and meditations on feminism, motherhood, art, and culture, this book is as intellectually satisfying as it is artistically profound.
A sharply intelligent, lyrically provocative memoir.Pub Date: Feb. 12, 2019
ISBN: 978-1-5011-9308-8
Page Count: 288
Publisher: Simon & Schuster
Review Posted Online: Nov. 10, 2018
Kirkus Reviews Issue: Dec. 1, 2018
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by Richard Wright ‧ RELEASE DATE: Feb. 28, 1945
This autobiography might almost be said to supply the roots to Wright's famous novel, Native Son.
It is a grim record, disturbing, the story of how — in one boy's life — the seeds of hate and distrust and race riots were planted. Wright was born to poverty and hardship in the deep south; his father deserted his mother, and circumstances and illness drove the little family from place to place, from degradation to degradation. And always, there was the thread of fear and hate and suspicion and discrimination — of white set against black — of black set against Jew — of intolerance. Driven to deceit, to dishonesty, ambition thwarted, motives impugned, Wright struggled against the tide, put by a tiny sum to move on, finally got to Chicago, and there — still against odds — pulled himself up, acquired some education through reading, allied himself with the Communists — only to be thrust out for non-conformity — and wrote continually. The whole tragedy of a race seems dramatized in this record; it is virtually unrelieved by any vestige of human tenderness, or humor; there are no bright spots. And yet it rings true. It is an unfinished story of a problem that has still to be met.
Perhaps this will force home unpalatable facts of a submerged minority, a problem far from being faced.
Pub Date: Feb. 28, 1945
ISBN: 0061130249
Page Count: 450
Publisher: N/A
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Feb. 1, 1945
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by Richard Wright ; illustrated by Nina Crews
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by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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Pulitzer Prize Finalist
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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