The food here is terrible, and the portions are too small.
From the Italian-born author, now a Paris resident, an unappetizing little tale about a young woman; this is Jabès’ first book to be published in the U.S.
When Alice saunters through the streets of Rome, old men and boys on scooters stop to stare. When another woman compliments her on her extravagant high heels, Alice offers shy, but pleased, thanks. When she looks in the mirror, Alice loves what she sees—until her father tells her, “If you’re a woman, you’re either beautiful, or you’re nice…You are not beautiful, so you must be…nice.” In an attempt to restore the sense of self destroyed by this casually cruel statement, Alice begins eating. In her effort to be nice to men, Alice becomes a prostitute. These two phenomena coalesce—rather stickily—in a unique sexual specialty: Alice performs fellatio while eating. This makes her very popular with a very specific clientele for a time, but, ultimately, Alice becomes so squalidly voluminous that her customers dissipate. Out of money and out of food, she finally turns herself into a grand meal for two escaped mental patients. That contemporary young women are unhealthily concerned with their appearance should come as a surprise to no one. This is one of the rare points on which feminist psychologists and “family values” types agree, and Jabès doesn’t offer any new perspective on the issue with her greasy, gruesome little fable. Nor does this novella function as erotica; it’s useful neither as food porn nor as the more traditional type. Alice’s feasts of calamari fritters, spiced olives, gorgonzola and raspberry ice cream are rendered as mere grocery lists, and the sex scenes are equally perfunctory. Indeed, pretty much everything in this story is abbreviated—not in the universal and resonant shorthand of myth or fairy tale, but with a rather presumptuous carelessness. The publisher offers this slender volume as part of a series of “short European fiction,” and they’re not kidding about “short”: Even a slow, attentive reader should be able to get through it in under an hour.
The food here is terrible, and the portions are too small.Pub Date: Oct. 1, 2007
ISBN: 978-1-903517-51-2
Page Count: 116
Publisher: Dedalus
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 2007
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.
Pub Date: Nov. 7, 1990
ISBN: 0394588169
Page Count: 424
Publisher: Knopf
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: Oct. 15, 1990
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