A novel that can’t decide how seriously we should take its psychologically damaged characters.
In this provocative debut novel, a woman reflects on her relationship with her brother as he’s dying of brain cancer.
After their mother took her own life by walking into Long Island Sound and their father unravels from grief, Ava and Demetri, only a year apart in age, practically raise themselves. Demetri, a precocious kid, heads off to Harvard, and Ava, a talented painter, tags along, sleeping under his bed. Ava believes their identities are so entwined that she falls apart when Demetri starts dating: “It never occurred to me…that Demetri would be attracted to someone without me. Because different desires would make us what we were not—namely, two separate people.” Ava’s solution is to insert herself into all of Demetri’s relationships, convincing his love interests to slip out of their clothes and pose for nude portraits. Her greatest victory (and shame) is when she finds herself actually falling in love with one of these women. Desiring the same woman, it turns out, drives them apart. Ava is a thoroughly unsympathetic narrator, which is not itself a problem. Writers like Ottessa Moshfegh, Emma Cline, and Elizabeth Strout have created memorably difficult female protagonists. And yet, through absurdity and humor, the slow revelation of pathos, or searing social critique, their novels both wink at readers and nudge them to stop being so judgmental. It’s hard to know how we’re supposed to understand Dess’ novel, which satirizes the contemporary art world—Ava’s first major sale is a series of paintings literally produced as she’s having sex with men—and perhaps Ava, too, though her narcissism starts to feel thin and sad. Right before Demetri dies and he’s barely conscious, Ava shows him a portrait of their shared lover, seeking his approval one last time. It’s a painful scene to read.
A novel that can’t decide how seriously we should take its psychologically damaged characters.Pub Date: Feb. 25, 2025
ISBN: 9780593830826
Page Count: 288
Publisher: Penguin Press
Review Posted Online: Nov. 23, 2024
Kirkus Reviews Issue: Jan. 1, 2025
Have tissues ready as you read this. A small package will do.
A love story about a life of second chances.
In Nassau, in the Bahamas, casino detective Vincent LaPorta grills Alfie Logan, who’d come up a winner three times in a row at the roulette table and walked away with $2 million. “How did you do it?” asks the detective. Alfie calmly denies cheating. You wired all the money to a Gianna Rule, LaPorta says. Why? To explain, Alfie produces a composition book with the words “For the Boss, to Be Read Upon My Death” written on the cover. Read this for answers, Alfie suggests, calling it a love story. His mother had passed along to him a strange trait: He can say “Twice!” and go back to a specific time and place to have a do-over. But it only works once for any particular moment, and then he must live with the new consequences. He can only do this for himself and can’t prevent anyone from dying. Alfie regularly uses his power—failing to impress a girl the first time, he finds out more about her, goes back in time, and presto! She likes him. The premise is of course not credible—LaPorta doesn’t buy it either—but it’s intriguing. Most people would probably love to go back and unsay something. The story’s focus is on Alfie’s love for Gianna and whether it’s requited, unrequited, or both. In any case, he’s obsessed with her. He’s a good man, though, an intelligent person with ordinary human failings and a solid moral compass. Albom writes in a warm, easy style that transports the reader to a world of second chances and what-ifs, where spirituality lies close to the surface but never intrudes on the story. Though a cynic will call it sappy, anyone who is sick to their core from the daily news will enjoy this escape from reality.
Have tissues ready as you read this. A small package will do.Pub Date: Oct. 7, 2025
ISBN: 9780062406682
Page Count: 320
Publisher: Harper/HarperCollins
Review Posted Online: July 18, 2025
Kirkus Reviews Issue: Aug. 15, 2025
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
With captivating dialogue, angst-y characters, and a couple of steamy sex scenes, Hoover has done it again.
After being released from prison, a young woman tries to reconnect with her 5-year-old daughter despite having killed the girl’s father.
Kenna didn’t even know she was pregnant until after she was sent to prison for murdering her boyfriend, Scotty. When her baby girl, Diem, was born, she was forced to give custody to Scotty’s parents. Now that she’s been released, Kenna is intent on getting to know her daughter, but Scotty’s parents won’t give her a chance to tell them what really happened the night their son died. Instead, they file a restraining order preventing Kenna from so much as introducing herself to Diem. Handsome, self-assured Ledger, who was Scotty’s best friend, is another key adult in Diem’s life. He’s helping her grandparents raise her, and he too blames Kenna for Scotty’s death. Even so, there’s something about her that haunts him. Kenna feels the pull, too, and seems to be seeking Ledger out despite his judgmental behavior. As Ledger gets to know Kenna and acknowledges his attraction to her, he begins to wonder if maybe he and Scotty’s parents have judged her unfairly. Even so, Ledger is afraid that if he surrenders to his feelings, Scotty’s parents will kick him out of Diem’s life. As Kenna and Ledger continue to mourn for Scotty, they also grieve the future they cannot have with each other. Told alternatively from Kenna’s and Ledger’s perspectives, the story explores the myriad ways in which snap judgments based on partial information can derail people’s lives. Built on a foundation of death and grief, this story has an undercurrent of sadness. As usual, however, the author has created compelling characters who are magnetic and sympathetic enough to pull readers in. In addition to grief, the novel also deftly explores complex issues such as guilt, self-doubt, redemption, and forgiveness.
With captivating dialogue, angst-y characters, and a couple of steamy sex scenes, Hoover has done it again.Pub Date: Jan. 18, 2022
ISBN: 978-1-5420-2560-7
Page Count: 335
Publisher: Montlake Romance
Review Posted Online: Oct. 12, 2021
Kirkus Reviews Issue: Nov. 1, 2021
SEEN & HEARD
BOOK TO SCREEN
BOOK TO SCREEN
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