Readers will be charmed and reassured by the reminder that, with love and support, a change in perspective is possible.
Through a series of pointed questions, a ghost interrogates a companion’s bad mood and helps to create a shift—at least for a moment.
“I hate everything!” declares a large frowning spirit. A smaller ghost gently pushes back: “Do you hate me?” “No, I don’t hate you. BUT I HATE EVERYTHING ELSE!” Lightly textured floating ghosts of the white-sheet variety appear on variously colored pages. The flat, mostly empty backgrounds change in color and tone throughout, reflecting the bigger ghost’s feelings. When the large ghost reiterates the title phrase, reds and oranges emphasize the angry heat of the speaker’s emotions. When the smaller ghost elicits a positive response, greens, blues, and lavenders suggest a calmer mood. Simply drawn mouths and eyes are remarkably expressive. The enormous yawning blackness of the larger ghost’s mouth perfectly captures the anguish of being stuck in a bad mood, while the smaller ghost’s mobile eyebrows clearly convey concern and caring. Eventually, the smaller ghost lists a double-page spread’s worth of people and experiences, appealingly pictured in bright colors (“Do you hate…flowers? Balloons? Strawberries?”). The bigger ghost doesn’t hate those things, either, and voices another equally extreme opinion, highlighted against sunny yellow: “I LOVE EVERYTHING!” This joy doesn’t last long, though, leading to a quiet chuckle as the book closes.
Readers will be charmed and reassured by the reminder that, with love and support, a change in perspective is possible. (Picture book. 3-7)Pub Date: Aug. 19, 2025
ISBN: 9781665980494
Page Count: 32
Publisher: Beach Lane/Simon & Schuster
Review Posted Online: April 4, 2025
Kirkus Reviews Issue: May 1, 2025
Spires’ understanding of the fragility and power of the artistic impulse mixes with expert pacing and subtle...
Making things is difficult work. Readers will recognize the stages of this young heroine’s experience as she struggles to realize her vision.
First comes anticipation. The artist/engineer is spotted jauntily pulling a wagonload of junkyard treasures. Accompanied by her trusty canine companion, she begins drawing plans and building an assemblage. The narration has a breezy tone: “[S]he makes things all the time. Easy-peasy!” The colorful caricatures and creations contrast with the digital black outlines on a white background that depict an urban neighborhood. Intermittent blue-gray panels break up the white expanses on selected pages showing sequential actions. When the first piece doesn’t turn out as desired, the protagonist tries again, hoping to achieve magnificence. A model of persistence, she tries many adjustments; the vocabulary alone offers constructive behaviors: she “tinkers,” “wrenches,” “fiddles,” “examines,” “stares” and “tweaks.” Such hard work, however, combines with disappointing results, eventually leading to frustration, anger and injury. Explosive emotions are followed by defeat, portrayed with a small font and scaled-down figures. When the dog, whose expressions have humorously mirrored his owner’s through each phase, retrieves his leash, the resulting stroll serves them well. A fresh perspective brings renewed enthusiasm and—spoiler alert—a most magnificent scooter sidecar for a loyal assistant.
Spires’ understanding of the fragility and power of the artistic impulse mixes with expert pacing and subtle characterization for maximum delight. (Picture book. 4-7)Pub Date: April 1, 2014
ISBN: 978-1-55453-704-4
Page Count: 32
Publisher: Kids Can
Review Posted Online: Feb. 25, 2014
Kirkus Reviews Issue: March 15, 2014
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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