A baldly stated but softly spoken treatment of a fundamental theme in world literature: May a man flee the terrible evil he has done, cleanse his soul of poison, and find the love and affection he has always wanted? The author, an ÇmigrÇ from Angola who now lives in England, sets his intense second novel (after Patriots, not reviewed) in the fictional African island country of Henrique, a former Portuguese colony (south of So TomÇ and west of Angola). The narrator is Fernando Luis, an orphan, journalist, interrogator, torturer, and killer who confirms on the last page what the reader has long suspected: He is writing his story as an act of absolution and has included only those few episodes and details that seem to bear the meaning of his life—the cool, almost chemically reduced residue of a few short, hellishly burning years during which he committed many reprehensible acts in order to ingratiate himself with Henrique's dictatorial regime. 'Nando Luis is a man morally paralyzed, unable or unwilling to move, a feverish witness to everything from happy people doing the samba to unhappy people hacking bodies to pieces. At times, Luis thinks his acts of evil stem from a simple survival instinct (betray a lover to save your skin), or from basic human emotions like envy or the desire for revenge (I want what you have and I can never have; you treat me poorly, I will treat you or someone like you even more poorly). But where did the evil come from, why did it choose Luis, and why does it refuse to leave him? Luis doesn't know, and the author's refusal to provide glib, melodramatic, or superficial answers to these questions gives the text a tone of gripping anguish. A novel of rare wisdom and power.
Pub Date: July 1, 1994
ISBN: 1-85702-049-9
Page Count: 160
Publisher: Fourth Estate/Trafalgar
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1994
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...
Sisters in and out of love.
Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.Pub Date: May 1, 2003
ISBN: 0-345-45073-6
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: April 1, 2003
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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