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UNYIELDING DESTINY

A mob tale that occasionally entertains but never satisfies.

A historical crime novel tells the story of a Mafia hit man with divided loyalties.

After the death of his father and mother, 8-year-old Frank Morris—who up to this point had lived in a tenement on the Lower East Side—is adopted by Mafia don Joseph Cabineri. Three decades later, in 1962, Frank is serving a 14-year sentence for burglary in Alcatraz. Scott Easten lives with his mother, a nurse at the nearby Presidio Army base, and accompanies her during a three-day assignment at the prison. When Frank happens to meet the boy through the prison fence, he sees the dog tags around Scott’s neck: those of his dead father, Roy Easten. Unknown to Scott, Roy is the man who saved Frank’s life during the Korean War by selflessly leaping on a grenade. “He knew this question would haunt him for the rest of his life or at least until God revealed the answer,” Frank thought at the time. “Was I saved for a reason? Or was it just chance, pure chance, an event without meaning?” Frank soon escapes from Alcatraz and resurfaces in New York, where—after cosmetic surgery to alter his appearance—he becomes a “ghost hit man” whose very existence is known only to a few. By that time, Scott has grown to manhood and been named assistant district attorney of New York. Part of his job is to rein in the city’s organized crime families, including the one that Frank serves. When push comes to shove, will Frank stay loyal to the system that raised him or pay back the sacrifice of the man who saved his life? Gratsias’ (Rootless Roots, 2016, etc.) prose is simple and direct, communicating his images with efficiency: “His now-long, dyed hair protruded from under a black New York Yankees baseball cap. Not even his best friends from the old neighborhood would recognize him. Fifteen years had passed since his metamorphosis, and aging only added to the plastic surgeon’s handicraft.” But the author displays a perplexing lack of imagination when it comes to names. There are five characters named Sam and three others called either Simpson or Simson. While Gratsias’ inclusion of the 1962 Alcatraz escape (which really did feature a man named Frank Morris) is an impressive narrative trick, it feels somewhat irrelevant to the main story of the protagonist’s dilemma. Much time is wasted in the first half of the book, both on Alcatraz and on the character of Scott, who never quite feels fully formed. While the author manages some surprising turns over the course of the book, none of them feel terribly meaningful, and his attempts to sell readers on the nobility of the Mafia and Frank in general feel romantic and disingenuous. When the great concluding moment comes, readers will have trouble feeling much at all.

A mob tale that occasionally entertains but never satisfies.

Pub Date: May 28, 2019

ISBN: 978-1-07-068408-6

Page Count: 303

Publisher: Time Tunnel Media

Review Posted Online: July 7, 2019

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NIGHT SHIFT

Twenty New England horror shorts by Stephen King (and a painfully lofty introduction by old pro John D. MacDonald). King, of course, is the 30-year-old zillionaire who poured the pig's blood on Carrie, woke the living dead in 'Salem's Lot, and gave a bad name to precognition in The Shining. The present collection rounds up his magazine pieces, mainly from Cavalier, and also offers nine stories not previously published. He is as effective in the horror vignette as in the novel. His big opening tale, "Jerusalem's Lot"—about a deserted village—is obviously his first shot at 'Salem's Lot and, in its dependence on a gigantic worm out of Poe and Lovecraft, it misses the novel's gorged frenzy of Vampireville. But most of the other tales go straight through you like rats' fangs. "Graveyard Shift" is about cleaning out a long unused factory basement that has a subbasement—a hideous colony of fat giant blind legless rats that are mutating into bats. It's a story you may wish you hadn't read. You'll enjoy the laundry mangle that becomes possessed and begins pressing people into bedsheets (don't think about that too much), a flu bug that destroys mankind and leaves only a beach blanket party of teenagers ("Night Surf"), and a beautiful lady vampire and her seven-year-old daughter abroad in a Maine blizzard ("One for the Road"). Bizarre dripperies, straight out of Tales from the Crypt comics. . . a leprous distillation.

Pub Date: Jan. 20, 1977

ISBN: 0385129912

Page Count: 367

Publisher: N/A

Review Posted Online: Sept. 26, 2011

Kirkus Reviews Issue: Jan. 1, 1977

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'SALEM'S LOT

A super-exorcism that leaves the taste of somebody else's blood in your mouth and what a bad taste it is. King presents us with the riddle of a small Maine town that has been deserted overnight. Where did all the down-Easters go? Matter of fact, they're still there but they only get up at sundown. . . for a warm drink. . . .Ben Mears, a novelist, returns to Salem's Lot (pop. 1319), the hometown he hasn't seen since he was four years old, where he falls for a young painter who admires his books (what happens to her shouldn't happen to a Martian). Odd things are manifested. Someone rents the ghastly old Marsten mansion, closed since a horrible double murder-suicide in 1939; a dog is found impaled on a spiked fence; a healthy boy dies of anemia in one week and his brother vanishes. Ben displays tremendous calm considering that you're left to face a corpse that sits up after an autopsy and sinks its fangs into the coroner's neck. . . . Vampirism, necrophilia, et dreadful alia rather overplayed by the author of Carrie (1974).

Pub Date: Oct. 17, 1975

ISBN: 0385007515

Page Count: 458

Publisher: Doubleday

Review Posted Online: Sept. 26, 2011

Kirkus Reviews Issue: Oct. 1, 1975

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