A mob tale that occasionally entertains but never satisfies.

UNYIELDING DESTINY

A historical crime novel tells the story of a Mafia hit man with divided loyalties.

After the death of his father and mother, 8-year-old Frank Morris—who up to this point had lived in a tenement on the Lower East Side—is adopted by Mafia don Joseph Cabineri. Three decades later, in 1962, Frank is serving a 14-year sentence for burglary in Alcatraz. Scott Easten lives with his mother, a nurse at the nearby Presidio Army base, and accompanies her during a three-day assignment at the prison. When Frank happens to meet the boy through the prison fence, he sees the dog tags around Scott’s neck: those of his dead father, Roy Easten. Unknown to Scott, Roy is the man who saved Frank’s life during the Korean War by selflessly leaping on a grenade. “He knew this question would haunt him for the rest of his life or at least until God revealed the answer,” Frank thought at the time. “Was I saved for a reason? Or was it just chance, pure chance, an event without meaning?” Frank soon escapes from Alcatraz and resurfaces in New York, where—after cosmetic surgery to alter his appearance—he becomes a “ghost hit man” whose very existence is known only to a few. By that time, Scott has grown to manhood and been named assistant district attorney of New York. Part of his job is to rein in the city’s organized crime families, including the one that Frank serves. When push comes to shove, will Frank stay loyal to the system that raised him or pay back the sacrifice of the man who saved his life? Gratsias’ (Rootless Roots, 2016, etc.) prose is simple and direct, communicating his images with efficiency: “His now-long, dyed hair protruded from under a black New York Yankees baseball cap. Not even his best friends from the old neighborhood would recognize him. Fifteen years had passed since his metamorphosis, and aging only added to the plastic surgeon’s handicraft.” But the author displays a perplexing lack of imagination when it comes to names. There are five characters named Sam and three others called either Simpson or Simson. While Gratsias’ inclusion of the 1962 Alcatraz escape (which really did feature a man named Frank Morris) is an impressive narrative trick, it feels somewhat irrelevant to the main story of the protagonist’s dilemma. Much time is wasted in the first half of the book, both on Alcatraz and on the character of Scott, who never quite feels fully formed. While the author manages some surprising turns over the course of the book, none of them feel terribly meaningful, and his attempts to sell readers on the nobility of the Mafia and Frank in general feel romantic and disingenuous. When the great concluding moment comes, readers will have trouble feeling much at all.

A mob tale that occasionally entertains but never satisfies.

Pub Date: May 28, 2019

ISBN: 978-1-07-068408-6

Page Count: 303

Publisher: Time Tunnel Media

Review Posted Online: July 7, 2019

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The phrase “tour de force” could have been invented for this audacious novel.

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A LITTLE LIFE

Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of...

FIREFLY LANE

Lifelong, conflicted friendship of two women is the premise of Hannah’s maudlin latest (Magic Hour, 2006, etc.), again set in Washington State.

Tallulah “Tully” Hart, father unknown, is the daughter of a hippie, Cloud, who makes only intermittent appearances in her life. Tully takes refuge with the family of her “best friend forever,” Kate Mularkey, who compares herself unfavorably with Tully, in regards to looks and charisma. In college, “TullyandKate” pledge the same sorority and major in communications. Tully has a life goal for them both: They will become network TV anchorwomen. Tully lands an internship at KCPO-TV in Seattle and finagles a producing job for Kate. Kate no longer wishes to follow Tully into broadcasting and is more drawn to fiction writing, but she hesitates to tell her overbearing friend. Meanwhile a love triangle blooms at KCPO: Hard-bitten, irresistibly handsome, former war correspondent Johnny is clearly smitten with Tully. Expecting rejection, Kate keeps her infatuation with Johnny secret. When Tully lands a reporting job with a Today-like show, her career shifts into hyperdrive. Johnny and Kate had started an affair once Tully moved to Manhattan, and when Kate gets pregnant with daughter Marah, they marry. Kate is content as a stay-at-home mom, but frets about being Johnny’s second choice and about her unrealized writing ambitions. Tully becomes Seattle’s answer to Oprah. She hires Johnny, which spells riches for him and Kate. But Kate’s buttons are fully depressed by pitched battles over slutwear and curfews with teenaged Marah, who idolizes her godmother Tully. In an improbable twist, Tully invites Kate and Marah to resolve their differences on her show, only to blindside Kate by accusing her, on live TV, of overprotecting Marah. The BFFs are sundered. Tully’s latest attempt to salvage Cloud fails: The incorrigible, now geriatric hippie absconds once more. Just as Kate develops a spine, she’s given some devastating news. Will the friends reconcile before it’s too late?

Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of poignancy.

Pub Date: Feb. 1, 2008

ISBN: 978-0-312-36408-3

Page Count: 496

Publisher: St. Martin's

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 1, 2007

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