A devilishly rich, satisfying scientific confection.
In Karp’s debut young-adult novel, three preteens compete to prove their connection to famous scientists who died more than a decade ago.
In 1927, 13-year-old Sam Ticky lives in Claremore, Okla., also known as “Radium Town,” because the chemical element bubbles freely from the ground, like oil. He works at the radium baths, where people soak in an effort to cure themselves of ailments such as barnacles and gout—despite the fact it might possibly be dangerous. According to Sam’s adoptive father, Sam is the biological son of the well-known scientists Alexander and Valerie Pepperpot, who gave him up after they died; as a result, science is his heritage. Meanwhile, in New York, Clive Chapman ponders the fate of his Sun Studios Radio Corporation. Ratings are falling, even on his most popular shows, and he needs something brilliant to turn his business around. When the U.S. government asks for his help in finding the Pepperpots’ missing child, he dreams up a contest. Soon, Sam is competing against two other finalists who share his birthday, Gloria Noakes and Hadrian Sands. The prize: the Pepperpots’ estate. The contestants must solve a series of puzzles staged in China, Egypt and Boston as they try to provide proof of the identity of the real “Radium Baby.” Throughout this adventure novel, Karp’s madcap imagination keeps readers hungering for the final outcome, and his prose sparkles with his flair for the absurd: For example, the Pepperpots “invented the hamster wheel, the hamster cage and the hamster feeder, then rounded off their list of achievements by inventing the hamster.” The contest’s puzzles, which involve such diverse elements as hornets’ honey and the Eye of Tutankhamen, have surprise twists, but Karp isn’t merely a showman. He’s also capable of dreamily evocative scene-setting (“Everything hit [Sam] at once...the temples with roofs like dog-eared paper, [and the] fine statues and filigree metalwork tracing spider webs across the walls and ceilings”) and manages to end his tale on a truly profound note.
A devilishly rich, satisfying scientific confection.Pub Date: April 25, 2013
ISBN: 978-0989263009
Page Count: 246
Publisher: Remora House
Review Posted Online: June 21, 2013
Kirkus Reviews Issue: Aug. 1, 2013
Review Program: Kirkus Indie
A nice but not requisite purchase.
A retelling of the classic fairy tale in board-book format and with a Mexican setting.
Though simplified for a younger audience, the text still relates the well-known tale: mean-spirited stepmother, spoiled stepsisters, overworked Cinderella, fairy godmother, glass slipper, charming prince, and, of course, happily-ever-after. What gives this book its flavor is the artwork. Within its Mexican setting, the characters are olive-skinned and dark-haired. Cultural references abound, as when a messenger comes carrying a banner announcing a “FIESTA” in beautiful papel picado. Cinderella is the picture of beauty, with her hair up in ribbons and flowers and her typically Mexican many-layered white dress. The companion volume, Snow White, set in Japan and illustrated by Misa Saburi, follows the same format. The simplified text tells the story of the beautiful princess sent to the forest by her wicked stepmother to be “done away with,” the dwarves that take her in, and, eventually, the happily-ever-after ending. Here too, what gives the book its flavor is the artwork. The characters wear traditional clothing, and the dwarves’ house has the requisite shoji screens, tatami mats and cherry blossoms in the garden. The puzzling question is, why the board-book presentation? Though the text is simplified, it’s still beyond the board-book audience, and the illustrations deserve full-size books.
A nice but not requisite purchase. (Board book/fairy tale. 3-5)Pub Date: Sept. 13, 2016
ISBN: 978-1-4814-7915-8
Page Count: 24
Publisher: Little Simon/Simon & Schuster
Review Posted Online: Oct. 11, 2016
Kirkus Reviews Issue: Jan. 1, 2017
BOOK REVIEW
BOOK REVIEW
More gift book than storybook, this is a meaningful addition to nursery bookshelves
A young child explores the unlimited potential inherent in all humans.
“Have you ever wondered why you are here?” asks the second-person narration. There is no one like you. Maybe you’re here to make a difference with your uniqueness; maybe you will speak for those who can’t or use your gifts to shine a light into the darkness. The no-frills, unrhymed narrative encourages readers to follow their hearts and tap into their limitless potential to be anything and do anything. The precisely inked and colored artwork plays with perspective from the first double-page spread, in which the child contemplates a mountain (or maybe an iceberg) in their hands. Later, they stand on a ladder to place white spots on tall, red mushrooms. The oversized flora and fauna seem to symbolize the presumptively insurmountable, reinforcing the book’s message that anything is possible. This quiet read, with its sophisticated central question, encourages children to reach for their untapped potential while reminding them it won’t be easy—they will make messes and mistakes—but the magic within can help overcome falls and failures. It’s unlikely that members of the intended audience have begun to wonder about their life’s purpose, but this life-affirming mood piece has honorable intentions. The child, accompanied by an adorable piglet and sporting overalls and a bird-beaked cap made of leaves, presents white.
More gift book than storybook, this is a meaningful addition to nursery bookshelves . (Picture book. 2-8)Pub Date: Sept. 15, 2019
ISBN: 978-1-946873-75-0
Page Count: 40
Publisher: Compendium
Review Posted Online: May 21, 2019
Kirkus Reviews Issue: June 15, 2019
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