A romantic fantasy series starter full of intriguing concepts from science and spirituality.



Tucker (Eat, Drink and Remarry, 2011) offers a fantasy about a veterinary intern who’s drawn into her deceased mother’s mystical world.

Before starting her fourth year at Cornell University, aspiring veterinary student Skylar Southmartin loses her mother, Cassie, to cancer. When she visits Massachusetts to square away Cassie’s home, she takes her father Joel’s advice and registers at the nearby Rosen College. There, she’ll intern at its equine program for the year, work on her thesis, and earn credit to graduate from Cornell. Upon arrival, Skylar is swamped by memories of competing in Rosen’s horse shows as a teenager and of her best friend, Argan, who later moved to Greece. She’s shocked to learn that Argan works on the night shift at Rosen and is now—10 years later—a handsome young man. They rekindle their friendship, which soon leads to warm, romantic feelings that feel like destiny. Later, in her mother’s library, she finds the Sanskrit Book of Akasha, which supposedly reveals one’s past and future. Her boss, Ronnie Treadwell, helps her translate small pieces of it. One night, Skylar dreams of a “stunning blond beast” of a man who radiates power and magnetism. Later, she meets Joshua Rider, an attractive and mysterious musician whose seemingly irresistible swagger just might doom her relationship with Argan. In starting a new fantasy trilogy, Tucker effectively uses her protagonist to merge the realms of science (through genetic engineer Joel’s influence) and mysticism (via Cassie’s) as Skyler finds out more about herself, her family, and the world in which she lives. Tucker’s gift for dialogue asserts itself often, as in one of several vivid, erotic scenes, when Skylar is told, “That mask you wear is all prim and appalled, but secretly...in parts you pretend don't exist, you're coming alive.” A larger theme involving the Earth’s “Divine Feminine” cycle, characterized by compassion and healing, explores such concepts as reincarnation, triple-helix DNA, and the secrets of Skylar’s lineage. Some intense, gory moments, however, aren’t for the fainthearted.

A romantic fantasy series starter full of intriguing concepts from science and spirituality.

Pub Date: Oct. 10, 2017


Page Count: 328

Publisher: Spark Press

Review Posted Online: Oct. 6, 2017

Did you like this book?

No Comments Yet

Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

Our Verdict

  • Our Verdict
  • GET IT

  • New York Times Bestseller

  • IndieBound Bestseller


Inseparable identical twin sisters ditch home together, and then one decides to vanish.

The talented Bennett fuels her fiction with secrets—first in her lauded debut, The Mothers (2016), and now in the assured and magnetic story of the Vignes sisters, light-skinned women parked on opposite sides of the color line. Desiree, the “fidgety twin,” and Stella, “a smart, careful girl,” make their break from stultifying rural Mallard, Louisiana, becoming 16-year-old runaways in 1954 New Orleans. The novel opens 14 years later as Desiree, fleeing a violent marriage in D.C., returns home with a different relative: her 8-year-old daughter, Jude. The gossips are agog: “In Mallard, nobody married dark....Marrying a dark man and dragging his blueblack child all over town was one step too far.” Desiree's decision seals Jude’s misery in this “colorstruck” place and propels a new generation of flight: Jude escapes on a track scholarship to UCLA. Tending bar as a side job in Beverly Hills, she catches a glimpse of her mother’s doppelgänger. Stella, ensconced in white society, is shedding her fur coat. Jude, so black that strangers routinely stare, is unrecognizable to her aunt. All this is expertly paced, unfurling before the book is half finished; a reader can guess what is coming. Bennett is deeply engaged in the unknowability of other people and the scourge of colorism. The scene in which Stella adopts her white persona is a tour de force of doubling and confusion. It calls up Toni Morrison’s The Bluest Eye, the book's 50-year-old antecedent. Bennett's novel plays with its characters' nagging feelings of being incomplete—for the twins without each other; for Jude’s boyfriend, Reese, who is trans and seeks surgery; for their friend Barry, who performs in drag as Bianca. Bennett keeps all these plot threads thrumming and her social commentary crisp. In the second half, Jude spars with her cousin Kennedy, Stella's daughter, a spoiled actress.

Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

Pub Date: June 2, 2020

ISBN: 978-0-525-53629-1

Page Count: 352

Publisher: Riverhead

Review Posted Online: March 15, 2020

Kirkus Reviews Issue: April 1, 2020

Did you like this book?

More Hallmarkiana, from a shameless expert in the genre.


High-stakes weepmeister Sparks (A Walk to Remember, 1999, etc.) opts for a happy ending his fourth time out. His writing has improved—though it's still the equivalent of paint-by-numbers—and he makes use this time of at least a vestige of credible psychology.

That vestige involves the deep dark secret—it has something to do with his father's death when son Taylor was nine—that haunts kind, good 36-year-old local contractor Taylor McAden and makes him withdraw from relationships whenever they start getting serious enough to maybe get permanent. He's done this twice before, and now he does it again with pretty and sweet single mother Denise Holton, age 29, who's moved from Atlanta to Taylor's town of Edenton, North Carolina, in order to devote her time more fully to training her four-year-old son Kyle to overcome the peculiar impediment he has that keeps him from achieving normal language acquisition. Okay? When Denise has a car accident in a bad storm, she's rescued by volunteer fireman Taylor—who also rescues little Kyle after he wanders away from his injured mom in the storm. Love blooms in the weeks that follow—until Taylor suddenly begins putting on the brakes. What is it that holds him back, when there just isn't any question but that he loves Denise and vice versa-not to mention that he's "great" with Kyle, just like a father? It will require a couple of near-death experiences (as fireman Taylor bravely risks his life to save others); emotional steadiness from the intelligent, good, true Denise; and the terrible death of a dear and devoted friend before Taylor will come to the point at last of confiding to Denise the terrible memory of how his father died—and the guilt that's been its legacy to Taylor. The psychological dam broken, love will at last be able to flow.

More Hallmarkiana, from a shameless expert in the genre.

Pub Date: Sept. 19, 2000

ISBN: 0-446-52550-2

Page Count: 352

Publisher: N/A

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 2000

Did you like this book?

No Comments Yet