Noisy and nostalgic big-city comics reportage.
A collection of Real Life Funnies, a comic that ran in the Village Voice for two decades.
Purportedly composed entirely of verbatim conversations, Mack’s strips overflow with spoken snippets from the lives of New York City’s diverse denizens. While some comics capture elaborate, chatty stories, many are free of narrative cohesion and read like sound collages of a crowded city. Drawn in confident, busy linework and shaded with choppy cross-hatching, the comics appear dashed off but hum with an impressive, quiet control, as rackety dialogue hinges on neat drawings of the city’s stately architecture. While his cartooning is unassumingly adept, Mack’s greatest strengths are his journalistic, empathetic approach to memorializing the metropolitan zeitgeist. In the foreword, Jake Tapper astutely calls Mack’s work “sociology, even zoology in its way,” highlighting the cartoonist’s steadfast drive to cross thresholds and learn from lifestyles unlike his own. “I wanted to go places where I didn’t belong,” Mack recalls, “attend events outside my comfort zone.” He covered the gamut from art openings to séances and featured people both luxuriating in penthouses and living on the streets. He drew election rallies and counterculture protests, the rise of the yuppie, Reagan’s term, and the AIDS epidemic. While its subjects ranged from all corners of the city, Real Life Funnies had a sex-positive slant that found Mack visiting sex shops, sex therapists, and places like the West Village’s Erotic Baker and the “First Annual New York Transgender Conference and Dinner Dance.” It’s a dense body of work and best taken slowly: Some of Mack’s most clamorous strips land on the threshold of cacophony and are nearly exhausting in their attempts to cram so much city into such a small space. The book includes an afterword by Jeannette Walls.
Noisy and nostalgic big-city comics reportage.Pub Date: March 26, 2024
ISBN: 9781683969167
Page Count: 336
Publisher: Fantagraphics Books
Review Posted Online: Feb. 28, 2024
Kirkus Reviews Issue: April 1, 2024
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
PERSPECTIVES
A frank and funny but uneven essay collection about neurodiversity.
An experimental, illustrated essay collection that questions neurotypical definitions of what is normal.
From a young age, writer and comedian Myers has been different. In addition to coping with obsessive compulsive disorder and panic attacks, she struggled to read basic social cues. During a round of seven minutes in heaven—a game in which two players spend seven minutes in a closet and are expected to kiss—Myers misread the romantic advances of her best friend and longtime crush, Marley. In Paris, she accidentally invited a sex worker to join her friends for “board games and beer,” thinking he was simply a random stranger who happened to be hitting on her. In community college, a stranger’s request for a pen spiraled her into a panic attack but resulted in a tentative friendship. When the author moved to Australia, she began taking notes on her colleagues in an effort to know them better. As the author says to her co-worker, Tabitha, “there are unspoken social contracts within a workplace that—by some miracle—everyone else already understands, and I don’t….When things Go Without Saying, they Never Get Said, and sometimes people need you to Say Those Things So They Understand What The Hell Is Going On.” At its best, Myers’ prose is vulnerable and humorous, capturing characterization in small but consequential life moments, and her illustrations beautifully complement the text. Unfortunately, the author’s tendency toward unnecessary capitalization and experimental forms is often unsuccessful, breaking the book’s otherwise steady rhythm.
A frank and funny but uneven essay collection about neurodiversity.Pub Date: Oct. 28, 2025
ISBN: 9780063381308
Page Count: 272
Publisher: Morrow/HarperCollins
Review Posted Online: Sept. 12, 2025
Kirkus Reviews Issue: Oct. 15, 2025
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