Reads like a buttoned-down Tom Wolfe.
Satirical self-portrait of a tycoon better at managing his money than his family—in Crawford’s first novel since Some Instructions (1978).
Leon Tuggs is a starchy old blowhard whose fortune just keeps on growing. Its basis is his invention, the Thingie, a small paper product that has become as indispensable as Kleenex. (Leon got the formula “by informal means” from a suddenly impoverished chemist. Message: He’ll be as ruthless as the next guy.) Leon has a vast estate in Connecticut but spends most of his time in the air, jetting around the world to keep his empire humming. While aloft, he writes notes to his grandchildren, Fabian and Rowena, to accompany his birthday gifts to them of scale models of cars that reflect the trajectory of his career. Thus the tale is epistolary in format, though it’s more like an extended toast (Leon excels at those) to money (“our most effective god”), to mobility, or to greater consumption of those man-made things that will eventually replace unproductive nature. Though his daughter Deedums is on-board, son-in-law Chip is a wretched lower-case liberal democrat (as opposed to the Conservative Republican Leon). More worrying is Leon’s wife, Deirdre. Leon doesn’t like women (“Men invent the world while women only populate it”), but he does need his wife, even though she’s seeking out the simple life—in a tent! Her nonsense exposes Leon to media mockery, which intensifies when he’s found wearing drag. This moment of farce recalls the purposeful lunacy of Crawford’s earlier work, but here that lunacy is much less on display, the novel’s format a hindrance to it. There will be more disappointment for Leon as his grandchildren become teenagers and trash or trade his priceless model cars, but the patriarch, nothing daunted, will install actual cars in his expanded living room. His marriage, though, will pretty much collapse (divorce is not an option for a Tuggs).
Reads like a buttoned-down Tom Wolfe.Pub Date: March 4, 2005
ISBN: 1-58567-557-1
Page Count: 240
Publisher: Overlook
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 2004
BOOK REVIEW
BOOK REVIEW
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
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