A story rich in musical history and poignant with dramatic irony.
A veteran cultural critic and jazz historian tells the simultaneous stories of the rise of jazz and the emergence of one of its brightest comets, Charlie Parker (1920–1955).
Crouch (Considering Genius: Writings on Jazz, 2006, etc.), whose journalism has appeared in just about every major venue and whose books have earned widespread critical appreciation, is uniquely qualified to guide readers on this tour. He begins in Des Moines, Iowa, where Parker, 21, was touring with the Jay McShann Orchestra. Here, we get an early hint of troubles to come when Crouch notes that Parker’s “disappearing acts were his specialty.” Hard drugs would limit Parker’s ascension and eventually bring him down. But Crouch’s agenda comprises not just the story of the early Parker. He tells the tales of towns (New Orleans, Kansas City, Chicago, New York), of ragtime and jazz legends (Scott Joplin, King Oliver, Louis Armstrong, Art Tatum and others of lesser name but considerable significance), and of families and friends. We see Parker’s impecunious struggles to learn his instrument (alto sax), his repeated visits to the pawn shop (morphine was not free), his experiences of having to borrow other players’ instruments, his gift as a musician, his ferocious work ethic (striving to find his own sound) and his transformation into a dweller of the night. We learn, as well, about his youthful love affair that eventually became his first marriage. He became a father and then left his family to pursue his dreams, which no longer included them. Crouch takes us with Parker to Chicago and then to New York City, where he was just about to make it when the story stops. Crouch is a phrasemaker, and the text is chockablock with memorable lines. A friend’s death “was like drinking a cup of blues made of razor blades.”
A story rich in musical history and poignant with dramatic irony.Pub Date: Oct. 1, 2013
ISBN: 978-0-06-200559-5
Page Count: 448
Publisher: It Books/HarperCollins
Review Posted Online: July 28, 2013
Kirkus Reviews Issue: Aug. 15, 2013
BOOK REVIEW
BOOK REVIEW
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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