Meisler throws new light on Soutine and, more broadly, on the experiences of aspiring immigrant artists in the city that...
The story of immigrant artists who were celebrated as the School of Paris.
Histories of bohemian Paris usually feature Matisse, Picasso and their circle. Former Los Angeles Times diplomatic correspondent Meisler (When the World Calls: The Inside Story of the Peace Corps and Its First Fifty Years, 2011, etc.) takes a fresh view by highlighting three artistic iconoclasts who happened to be Jewish immigrants: Amedeo Modigliani (1884-1920), Marc Chagall (1887-1985) and, the author’s central focus, Chaim Soutine (1893-1943). Critic André Warnod publicized them as the School of Paris, talented foreigners who emigrated, he said, with “hardly anything else in their baggage but the will to enrich their art with what they find among us.” Meisler found considerable material to document the lives and works of Modigliani and Chagall, but Soutine proved elusive. With no letters, memoirs or personal notes to draw upon, the author still puts together a vivid portrait of a difficult, irascible man, markedly unlike the gregarious Chagall or suave Modigliani. Unattractive and noticeably unkempt, Soutine’s emotional temperament emerged in his work: A predominant trait “was the thickness of the paint with its dynamic swirls, bolstering the belief that the artist must have attacked the canvas in some kind of frenzy.” When a painting failed to meet his expectations, he violently slashed it. Meisler finds recurring instances of Soutine’s “paralytic shyness, his foolish naiveté, his volatile anger and his sometimes-cursed relations with those who wanted to embrace him.” Among those were a wealthy patron, Madeleine Castaing, whom Meisler interviewed; and Albert Barnes, the eccentric collector who discovered Soutine during an early buying trip. Soutine’s works, Barnes exclaimed, “were a surprise, if not a shock….I felt he was making creative use of certain traits of the work of Bosch, Tintoretto, Van Gogh, Daumier and Cézanne, and was getting new effects with color.”
Meisler throws new light on Soutine and, more broadly, on the experiences of aspiring immigrant artists in the city that fostered their dreams.Pub Date: April 14, 2015
ISBN: 978-1-137-27880-7
Page Count: 256
Publisher: Palgrave Macmillan
Review Posted Online: Nov. 28, 2014
Kirkus Reviews Issue: Dec. 15, 2014
BOOK REVIEW
BOOK REVIEW
Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.
Rootin’-tootin’ history of the dry-gulchers, horn-swogglers, and outright killers who populated the Wild West’s wildest city in the late 19th century.
The stories of Wyatt Earp and company, the shootout at the O.K. Corral, and Geronimo and the Apache Wars are all well known. Clavin, who has written books on Dodge City and Wild Bill Hickok, delivers a solid narrative that usefully links significant events—making allies of white enemies, for instance, in facing down the Apache threat, rustling from Mexico, and other ethnically charged circumstances. The author is a touch revisionist, in the modern fashion, in noting that the Earps and Clantons weren’t as bloodthirsty as popular culture has made them out to be. For example, Wyatt and Bat Masterson “took the ‘peace’ in peace officer literally and knew that the way to tame the notorious town was not to outkill the bad guys but to intimidate them, sometimes with the help of a gun barrel to the skull.” Indeed, while some of the Clantons and some of the Earps died violently, most—Wyatt, Bat, Doc Holliday—died of cancer and other ailments, if only a few of old age. Clavin complicates the story by reminding readers that the Earps weren’t really the law in Tombstone and sometimes fell on the other side of the line and that the ordinary citizens of Tombstone and other famed Western venues valued order and peace and weren’t particularly keen on gunfighters and their mischief. Still, updating the old notion that the Earp myth is the American Iliad, the author is at his best when he delineates those fraught spasms of violence. “It is never a good sign for law-abiding citizens,” he writes at one high point, “to see Johnny Ringo rush into town, both him and his horse all in a lather.” Indeed not, even if Ringo wound up killing himself and law-abiding Tombstone faded into obscurity when the silver played out.
Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.Pub Date: April 21, 2020
ISBN: 978-1-250-21458-4
Page Count: 400
Publisher: St. Martin's
Review Posted Online: Jan. 19, 2020
Kirkus Reviews Issue: Feb. 15, 2020
An absorbing, wide-ranging story of humans’ relationship with the water.
A study of swimming as sport, survival method, basis for community, and route to physical and mental well-being.
For Bay Area writer Tsui (American Chinatown: A People's History of Five Neighborhoods, 2009), swimming is in her blood. As she recounts, her parents met in a Hong Kong swimming pool, and she often visited the beach as a child and competed on a swim team in high school. Midway through the engaging narrative, the author explains how she rejoined the team at age 40, just as her 6-year-old was signing up for the first time. Chronicling her interviews with scientists and swimmers alike, Tsui notes the many health benefits of swimming, some of which are mental. Swimmers often achieve the “flow” state and get their best ideas while in the water. Her travels took her from the California coast, where she dove for abalone and swam from Alcatraz back to San Francisco, to Tokyo, where she heard about the “samurai swimming” martial arts tradition. In Iceland, she met Guðlaugur Friðþórsson, a local celebrity who, in 1984, survived six hours in a winter sea after his fishing vessel capsized, earning him the nickname “the human seal.” Although humans are generally adapted to life on land, the author discovered that some have extra advantages in the water. The Bajau people of Indonesia, for instance, can do 10-minute free dives while hunting because their spleens are 50% larger than average. For most, though, it’s simply a matter of practice. Tsui discussed swimming with Dara Torres, who became the oldest Olympic swimmer at age 41, and swam with Kim Chambers, one of the few people to complete the daunting Oceans Seven marathon swim challenge. Drawing on personal experience, history, biology, and social science, the author conveys the appeal of “an unflinching giving-over to an element” and makes a convincing case for broader access to swimming education (372,000 people still drown annually).
An absorbing, wide-ranging story of humans’ relationship with the water.Pub Date: April 14, 2020
ISBN: 978-1-61620-786-1
Page Count: 288
Publisher: Algonquin
Review Posted Online: Jan. 4, 2020
Kirkus Reviews Issue: Feb. 1, 2020
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