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UNITED NATIONS

THE FIRST FIFTY YEARS

An even-handed, realistic history that implicitly measures how far the UN has come in achieving the high hopes its founders held when it was created at the end of WW II. With the failure of the League of Nations constantly in mind, the UN sought, in the words of its charter, to save ``future generations from the scourge of war.'' Yet as shown by Meisler, who covers foreign affairs and the UN for the Los Angeles Times, the organization's dream of cooperation vanished almost immediately as it was overshadowed by the onset of the Cold War; indeed, the UN almost foundered before it began because of Western-Soviet deputes over voting procedures. Much of the history here covers the crises that were inevitably colored by the superpowers' confrontation: the creation of Israel, the Korean War, the Suez affair, the Congo, the Cuban missile crisis, the Israeli-Arab Six-Day War, and the Iranian hostage crisis. The organization's Third World members often engaged not in constructive peacekeeping or even the honeyed palaver often associated with diplomats but in hot rhetoric oddly irrelevant to the organization's mission (at the insistence of Arab members, a 1975 UN-sponsored Conference on Women passed a resolution calling for Zionism's elimination). Aside from Dag Hammarskjîld, praised by Meisler for his ``stubborn principle and exquisite tact,'' the superpowers often settled for secretaries- general who turned out to be clumsy (Trygve Lie), colorless (U Thant), or venal (Kurt Waldheim). Even after the Cold War's end raised hope that the organization might finally achieve its promise, it remained mired in ambiguity; successful peacekeeping missions in El Salvador, Haiti, and Cambodia contrasted with misconceived ventures in Somalia and Bosnia. This history could have used more of Meisler's own interviews for a fresh perspective on past events, and the optimistic conclusion is overdrawn. But generally, a clear-eyed view of an organization as victimized by naive hope as by corrosive cynicism. (photos, not seen)

Pub Date: Oct. 1, 1995

ISBN: 0-87113-616-3

Page Count: 288

Publisher: Atlantic Monthly

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 1995

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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