by Stash Cairo ‧ RELEASE DATE: Dec. 6, 2023
Frenzied corporate machinations abound in this frothy re-creation of the early days of the home shopping industry.
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An aimless high school dropout challenges himself with a brand-new career path in Cairo’s novel.
It’s 1987, and Oklahoma City–based TV network TeleShop USA, anchored by a dynamic cast of seasoned presenters, has become a popular destination for shop-at-home customers. Hoping to leave behind his restless, vagabond, “unstructured” lifestyle, Robert MacKenzie, 25, waits in the wings to unknowingly seize the opportunity of a lifetime. MacKenzie desperately needs a job, and, despite having zero qualifications or experience in television production (and using falsified references), he interviews with company brass, shams his way through some practice pitches, and is providentially given the chance to prove himself at TeleShop. From this point, the narrative masterfully marches out a series of cleverly depicted program hosts, management personnel, and TeleShop employees. Chief among them is Dave Leonard, 43, better known as “the Dealmaker,” the network’s top salesman and TV’s unmatched “King of Bargains.” Yet fame has taken its toll, and Leonard has devolved into a snarky, heavy-drinking, unfaithful egomaniac recently dumped by his wife and estranged from his two daughters, living for months in a squalid roadside motel. As New York investors Triboro Media Group begin buying their way toward becoming majority stockholders and decision-makers at the network, management begins to nervously shift their projections and decisions accordingly. The novel works its charms through a series of dubious coincidences, as when MacKenzie takes a room in the same motel as Leonard and makes the most of their spontaneous orientation session, in which the new hire gets the lowdown on the company’s inner workings. As MacKenzie is drawn in deeper into the company’s fold as one of the newest “rare natural hosts,” things begin to fall apart, egos get bruised, rivalries simmer, and alliances form. Along the way, other ambitious and cleverly drawn peripheral characters spark to life within the TeleShop world, including the lonely, impulsive Yasmine Dubai, Director of Talent, who finds herself attracted to MacKenzie; lusty, unhinged assistant corporate counsel Sandiya King, who deceptively vies for Robert’s attentions; cutthroat network president Billy-Ray Newton; and Dixie Carter, aka “the Dragon Lady,” TeleShop’s other intimidating, high-revenue-generating core host, whose specialty is jewelry.
Though much of the plot contrivances are implausible and included for the sake of narrative thrills, the details about the machinations of the home shopping industry feel authentic and impressively well researched. Cairo taps into a niche market rarely explored in fiction and immerses his characters in the high-stress, micromanaged nuances of successful on-air sales and the “steam cooker” atmosphere of televised commerce. (“‘For revenue calculation, we then examine each minute as a series of six, ten-second episodes.’ ‘Doesn’t that ever get the place feeling like an emergency room?’ ‘Exactly.’”) In addition to its sudsy melodramatic office dynamics, Cairo’s book entertainingly taps into the beginnings of a market that would explode in popularity and profitability on multiple media platforms in the ensuing decades. Readers will cheer on MacKenzie as the formerly underachieving underdog tries to right his path and make the best of his life and career.
Frenzied corporate machinations abound in this frothy re-creation of the early days of the home shopping industry.Pub Date: Dec. 6, 2023
ISBN: 9798986395661
Page Count: 355
Publisher: Richards & Jones
Review Posted Online: Jan. 18, 2024
Kirkus Reviews Issue: March 1, 2024
Review Program: Kirkus Indie
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by Kathryn Stockett ‧ RELEASE DATE: May 5, 2026
Fans of Stockett’s bestselling debut will love this engaging follow-up.
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New York Times Bestseller
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
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by Ann Patchett ‧ RELEASE DATE: June 2, 2026
An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.
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New York Times Bestseller
A chance meeting in a museum unlocks a long-closed door in a family’s past.
Of a piece with her last three novels—Commonwealth (2016), The Dutch House (2019), and Tom Lake (2023)—Patchett’s latest explores the evolution of families over time, romantic secrets, and step-relationships, again giving these topics the wry and tender treatment that is distinctively hers. As it begins, Daphne Fuller’s attentive husband, Jonathan, notices that a man has been following them through the Metropolitan Museum of Art. At first they chalk it up to the fact that “old guys love [Daphne],” as she told Jonathan decades ago, a notion he has held onto "like a souvenir postcard from another era." But it turns out that, though Daphne doesn’t recognize him, Eddie Triplett is her former stepfather. Like the author herself, as recalled in her 2020 essay “Three Fathers,” Daphne has had three dads. Her biological father, a deep-sea fisherman named Buddy Zabriskie, left the family early; her current stepfather, Lucas Ekker, lives with her mother in retirement in Massachusetts. Ekker is an unprepossessing sort Abby met working as the publicist for his self-help books, Positivity!, Positively Positive!, The Positivity Workbook!, Positive Every Day!, ad infinitum. The man in the museum, Eddie Triplett, was also someone her mother met through her job in publishing, and once Daphne realizes who he is, she remembers that “[their] hearts were forever stitched together.” This is because Daphne and Eddie were in a serious car accident when she was 9 years old, after which her mother immediately divorced him and evicted him from their lives. The details of that accident—among them lies the reason the novel is named after a horse called Whistler—are gradually wheedled out of Daphne by her younger sister, Leda, a clinical psychologist in New York and a reliable source of insight on the narrative’s key issues. “‘You make it sound like I’ve been keeping all this from you, but I’m not,’ [Daphne] said. ‘Who goes through life thinking about what happened when they were nine?’ ‘It’s all people think about,’ Leda said.”
An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.Pub Date: June 2, 2026
ISBN: 9780063511637
Page Count: 304
Publisher: Harper/HarperCollins
Review Posted Online: April 6, 2026
Kirkus Reviews Issue: May 1, 2026
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