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THE MEMORY CHILD

An intense psychological drama underpins this uneven novel.

Holmes (Sweet Memories, 2013) delves into the world of postpartum psychosis in this novel, which isn’t what it might first appear to be.

Diane seems like a happy new mother who dreads returning to her corporate job and wants only to dote on Grace, her daughter. But from the start, it’s clear that something is very wrong. Where is Brian, her devoted husband? Why does everyone seem to want to ignore Grace? The narrative jumps back and forth from Diane’s present-day perspective to the perspective of Brian when Diane was pregnant. Diane was reluctant to have a child due in part to the fact that, when she was a child, her own mother suffered from postpartum psychosis and killed herself and Diane’s baby brother. Though she and Brian have a good marriage, her pregnancy and a job promotion for Brian introduce strife to their harmonious union. It’s clear from Diane’s present-day narration that she is unwell and suffering from delusions, but readers will need to make it to the end of this twisted tale to find out the full extent of Diane’s delusions. Reminiscent of The Twilight Zone, this novel has a feeling that will unsettle readers from the first page. While the jumps back and forth in time help to move things along, some of the chapters from the past perspective feel repetitive as they describe the relationship between Diane and Brian as well as the friction between them. Clichés abound—“He could argue with her until he was blue in the face”—and at times, the narrative is heavy-handed and relies too much on telling rather than gently showing things, such as Diane’s remembering her father: “I never understood how he could make it into work the next day until I realized he was a functioning alcoholic.” Though the plot could perhaps have been contained within a short story, the central mystery will hold reader interest.

An intense psychological drama underpins this uneven novel.

Pub Date: March 18, 2014

ISBN: 978-1477818428

Page Count: 220

Publisher: Lake Union Publishing

Review Posted Online: March 10, 2014

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THE DIVORCE

Trust no one in this over-the-top tale of deception and revenge.

Dead bodies turn up in the first sentence of the prologue in McFadden’s latest domestic thriller.

The mystery of who died is at the pulsating heart of this propulsive tale. As Chapter 1 begins, Naomi arrives home to find the locks changed on the front door of the gorgeous home she shares with her husband, Jeremy, and their 5-year-old son, Teddy. Jeremy steps out the front door and convinces Naomi to move out while he has their home renovated, a plan Naomi knows nothing about. It’s all a ruse, though, as the next day Jeremy tells her he wants a divorce. Naomi is shellshocked and soon discovers that Jeremy is having an affair with Veronica, a beautiful younger woman. What seems at first like a stereotypical story about a man who leaves his wife turns into something else when Naomi decides she’ll do anything to get Veronica away from Jeremy and Teddy, and Veronica decides to fight for what she thinks she deserves. Fans of stalker novels will cringe with delight as creepy things start to happen. Teddy’s stuffed elephant, a gift from Veronica, is found impaled on a kitchen knife; Naomi suspects Jeremy is gaslighting her and that Veronica tried to poison her. A weird confrontation among Jeremy, Veronica, and Naomi at Teddy’s birthday party, to which Naomi shows up uninvited, is priceless. There are three main characters, and any or all of them may be unreliable narrators. Packing the plot with dark, gasp-inducing twists, McFadden outdoes herself in a story about how highly emotional people engage in risky behavior to get what they want—but in this novel, for better or worse, not everyone will survive.

Trust no one in this over-the-top tale of deception and revenge.

Pub Date: May 26, 2026

ISBN: 9781464249631

Page Count: 368

Publisher: Poisoned Pen

Review Posted Online: April 20, 2026

Kirkus Reviews Issue: May 15, 2026

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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