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A FEW SECONDS OF PANIC

A 5-FOOT-8, 170-POUND, 43-YEAR-OLD SPORTSWRITER PLAYS IN THE NFL

Less groundbreaking than Paper Lion, but more perceptive and almost as entertaining.

Channeling George Plimpton, a sportswriter dons pads and becomes the first journalist in more than 40 years to take the field alongside an NFL team.

Attempting a modern take on the classic Paper Lion could very easily have backfired on Wall Street Journal reporter Fatsis (Word Freak: Heartbreak, Triumph, Genius, and Obsession in the World of Competitive Scrabble Players, 2001, etc.). He wins readers over, however, with his upfront acknowledgement of Plimpton’s feats and his engagingly self-deprecating prose. Despite being an aging weekend warrior with two bad knees and no organized football experience, the author began contacting NFL teams, seeking to join one as a kicker during training camp so that he could live and experience each day as a player. After considerable effort, he finally hooked on with the Denver Broncos, one of the league’s model franchises. Fatsis quickly found that his cursory understanding of how to kick was no match for the place-kicking expertise of the Broncos’s Jason Elam. Even more engrossing than his quest for proficiency, however, is the author’s insight into the modern NFL locker room. It’s a world of haves and have-nots: Bonus babies and superstars are the only ones who enjoy even a modicum of job security; fringe players fight through devastating injuries they don’t disclose for fear of losing their ever-tentative jobs. While it’s no secret that big-time sports are replete with homophobia, relentless hazing and testosterone both natural and artificial, the players’ fragile psyches and management’s everyone-is-replaceable mentality may surprise and unnerve even hardcore fans. It’s those revelations, and the author’s humanizing treatment of his larger-than-life teammates, that keep interest high—not the anticlimactic chronicle of his attempt to kick in a preseason game.

Less groundbreaking than Paper Lion, but more perceptive and almost as entertaining.

Pub Date: July 7, 2008

ISBN: 978-1-59420-178-3

Page Count: 338

Publisher: Penguin Press

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 2008

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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