by Stefan Kanfer ‧ RELEASE DATE: April 7, 1997
This nicely written and generally informative account provides a cursory though useful history of American animated cartoons. Theater critic and former Time staffer Kanfer (The Last Empire: De Beers, Diamonds, and the World, 1993, etc.) chronicles American cartoons from the silent era to very recent efforts by the Disney Studio, beginning with the primitive, surreal work of innovative legend Windsor McCay, then moving on to document the contributions of the Fleischer Studios (creators of Betty Boop and Popeye), Warner Brothers (Merry Melodies and Loony Tunes), Hanna- Barbera (the Flintstones and others), and, of course, Walt Disney. Kanfer doesn't neglect such lesser known but influential figures as Otto Mesmer (creator of Felix the Cat), Paul Terry (Farmer Al Falfa), Walter Lanz (Woody Woodpecker), and Jay Ward (Rocky and Bullwinkle). Serious Business is a solid introductory text, particularly useful to those with little background in the history and sociology of American animated cartoons, successfully demonstrating Kanfer's proposition that ``in their own eccentric way, [cartoons] provide an extraordinary reflection of the society and politics of their time.'' The problem is that Kanfer wants the book to do more than that: His purpose is, finally, he says, to demonstrate that cartoons also powerfully shape our attitudes, not always for the better. Kanfer addresses such important issues as racism in cartoons, cartoons as war propaganda, and the ways in which cartoons reflect issues of identity, conformity, and even anomie (for instance, Ren and Stimpy and Beavis and Butt-head). While certainly instructive, Serious Business's pockets of brief analysis on such difficult issues fail to offer sufficient depth or insight. Taken as the less ambitious but valuable work it truly is, Serious Business offers a lively, thought-provoking introduction to the fascinating complexity of seemingly simple animated cartoons. (b&w illustrations, 8 pages color illustrations, not seen) (Author tour)
Pub Date: April 7, 1997
ISBN: 0-684-80079-9
Page Count: 256
Publisher: Scribner
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1997
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
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by E.T.A. Hoffmann & illustrated by Julie Paschkis
by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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developed by Ludwig Bemelmans ; illustrated by Steven Salerno
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by Ludwig Bemelmans ; illustrated by Steven Salerno
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