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WHO IS DR. SEUSS?

With a quick delivery of facts and the whimsical, child-friendly illustrations and rhymes, this is an excellent choice for...

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Mimicking Dr. Seuss’ famous rhyming pairs, debut author and illustrator team Hymas and Conner offer a cursory biography of the beloved author.

Although most children are familiar with the name Dr. Seuss, they may assume that he is a real doctor who might “fix your tooth when it gets loose.” Hymas explains that Seuss is an author: a writer of books, newspapers, or magazines. Introducing Seuss’ life, Hymas rhymes: “He was born March 2, 1904 / To Henrietta Seuss and Theodor.” Theodor Seuss Geisel, nicknamed Teddy by everyone but his father (who called him “Sport”), began taking drawing classes in high school, where he was told his animals were too silly. Though Conner’s illustrations are whimsical and silly, they are very much in her own style rather than Seuss’. Still, children will understand that a polka-dot lion with green bird feet and a curled, star-tipped tail is meant to evoke Seuss’ own illustrations. When Seuss decided to become a writer, he paired his father’s dream of his becoming a doctor with his mother’s maiden name for his pen name. (A quick fact: according to Hymas, Seuss actually rhymes with choice!) Seuss wrote for the newspaper through college, creating his own comic strip that was nationally syndicated. During an ocean voyage, Seuss came up with the refrain that became the title of And to Think That I Saw It on Mulberry Street, which was rejected by 27 publishers before it was finally published. Retelling anecdotes that line up well with Seuss’ life, Hymas recounts the creation of The Cat in the Hat and Green Eggs and Ham as well as Seuss’ decision to write books he was not illustrating himself under the name Theo LeSieg. Over his career, Seuss sold over 200 million books, and the celebration of his life in many elementary classrooms and libraries makes biographies of this author perpetual favorites, especially one like this geared toward the youngest readers. Occasionally, the layout of Hymas’ text can make finding the rhymes difficult: “An author writes all kinds of things like books, newspapers, and magazines” lines up “like” with “magazines” rather than “things” with “magazines”—a stretch anyway, made more difficult to scan without appropriate line breaks.

With a quick delivery of facts and the whimsical, child-friendly illustrations and rhymes, this is an excellent choice for Seuss-centered storytimes and celebrations.

Pub Date: May 25, 2016

ISBN: 978-1-329-81834-7

Page Count: 34

Publisher: Lulu

Review Posted Online: Feb. 6, 2017

Kirkus Reviews Issue: March 1, 2017

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TALES FOR VERY PICKY EATERS

Broccoli: No way is James going to eat broccoli. “It’s disgusting,” says James. Well then, James, says his father, let’s consider the alternatives: some wormy dirt, perhaps, some stinky socks, some pre-chewed gum? James reconsiders the broccoli, but—milk? “Blech,” says James. Right, says his father, who needs strong bones? You’ll be great at hide-and-seek, though not so great at baseball and kickball and even tickling the dog’s belly. James takes a mouthful. So it goes through lumpy oatmeal, mushroom lasagna and slimy eggs, with James’ father parrying his son’s every picky thrust. And it is fun, because the father’s retorts are so outlandish: the lasagna-making troll in the basement who will be sent back to the rat circus, there to endure the rodent’s vicious bites; the uneaten oatmeal that will grow and grow and probably devour the dog that the boy won’t be able to tickle any longer since his bones are so rubbery. Schneider’s watercolors catch the mood of gentle ribbing, the looks of bewilderment and surrender and the deadpanned malarkey. It all makes James’ father’s last urging—“I was just going to say that you might like them if you tried them”—wholly fresh and unexpected advice. (Early reader. 5-9)

Pub Date: May 1, 2011

ISBN: 978-0-547-14956-1

Page Count: 48

Publisher: Clarion Books

Review Posted Online: April 4, 2011

Kirkus Reviews Issue: April 1, 2011

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ABIYOYO RETURNS

The seemingly ageless Seeger brings back his renowned giant for another go in a tuneful tale that, like the art, is a bit sketchy, but chockful of worthy messages. Faced with yearly floods and droughts since they’ve cut down all their trees, the townsfolk decide to build a dam—but the project is stymied by a boulder that is too huge to move. Call on Abiyoyo, suggests the granddaughter of the man with the magic wand, then just “Zoop Zoop” him away again. But the rock that Abiyoyo obligingly flings aside smashes the wand. How to avoid Abiyoyo’s destruction now? Sing the monster to sleep, then make it a peaceful, tree-planting member of the community, of course. Seeger sums it up in a postscript: “every community must learn to manage its giants.” Hays, who illustrated the original (1986), creates colorful, if unfinished-looking, scenes featuring a notably multicultural human cast and a towering Cubist fantasy of a giant. The song, based on a Xhosa lullaby, still has that hard-to-resist sing-along potential, and the themes of waging peace, collective action, and the benefits of sound ecological practices are presented in ways that children will both appreciate and enjoy. (Picture book. 5-9)

Pub Date: Oct. 1, 2001

ISBN: 0-689-83271-0

Page Count: 40

Publisher: Simon & Schuster

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 15, 2001

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