A quiet, engaging tale about second chances and the decision to move forward despite disappointments.
A woman struggles to remain true to herself despite being trapped in the wrong marriage.
MacLean’s novel opens in 1976 as a pregnant Sarah Maddison prepares for her wedding to Benjamin Patterson. Benjamin is not the baby’s father, but he’s so enamored with Sarah that he’s agreed to raise the child as his own. The infant’s father, Kevan McElroy, disappeared shortly before Sarah met Benjamin. Sarah is hoping that she can learn to love Benjamin as much as she did Kevan. But shortly after they wed, Benjamin begins implementing changes to Sarah’s life that she hadn’t anticipated. During their engagement, she helped run his family’s restaurant, but suddenly he’s talking about buying a house where Sarah can spend her days as a homemaker. Though Sarah would prefer to continue working outside the home, she is persuaded by Benjamin to do his bidding. After the baby is born, Sarah fills her days by painting, but Benjamin doesn’t take her art seriously, creating another point of contention. Meanwhile, he’s been spending more time at work and getting suspiciously close to a female employee. As the years roll by, Sarah grows increasingly lonely and discontent in her life, and she continues to pine for Kevan, the one man she ever truly loved. It’s questionable whether she will ever find joy unless she makes a major change. Told in the third person, the story follows Sarah as she confronts the complicated nature of the relationships in her life as well as multiple betrayals, big and small, by people she trusts. The author delves deeply into many complex topics with insight and grace, exploring concepts such as self-doubt, companionship, determination, and grief for a lost love. In this plot-driven tale, the story’s pacing detracts somewhat from the narrative, as the novel jumps quickly through time, first by months and then years, with minimal explanation about what has occurred during the glossed-over periods. Similarly, the tale ends so abruptly that readers may find themselves searching for missing pages, as several major plotlines remain unresolved. Even so, the story’s primary question—how to make the best of a difficult situation—is sufficiently central throughout the narrative to keep the book engrossing.
A quiet, engaging tale about second chances and the decision to move forward despite disappointments.Pub Date: N/A
ISBN: N/A
Page Count: -
Publisher: N/A
Review Posted Online: Dec. 9, 2021
Review Program: Kirkus Indie
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
A tender and moving portrait about the transcendent power of art and friendship.
An artwork’s value grows if you understand the stories of the people who inspired it.
Never in her wildest dreams would foster kid Louisa dream of meeting C. Jat, the famous painter of The One of the Sea, which depicts a group of young teens on a pier on a hot summer’s day. But in Backman’s latest, that’s just what happens—an unexpected (but not unbelievable) set of circumstances causes their paths to collide right before the dying 39-year-old artist’s departure from the world. One of his final acts is to bequeath that painting to Louisa, who has endured a string of violent foster homes since her mother abandoned her as a child. Selling the painting will change her life—but can she do it? Before deciding, she accompanies Ted, one of the artist’s close friends and one of the young teens captured in that celebrated painting, on a train journey to take the artist’s ashes to his hometown. She wants to know all about the painting, which launched Jat’s career at age 14, and the circle of beloved friends who inspired it. The bestselling author of A Man Called Ove (2014) and other novels, Backman gives us a heartwarming story about how these friends, set adrift by the violence and unhappiness of their homes, found each other and created a new definition of family. “You think you’re alone,” one character explains, “but there are others like you, people who stand in front of white walls and blank paper and only see magical things. One day one of them will recognize you and call out: ‘You’re one of us!’” As Ted tells stories about his friends—how Jat doubted his talents but found a champion in fiery Joar, who took on every bully to defend him; how Ali brought an excitement to their circle that was “like a blinding light, like a heart attack”—Louisa recognizes herself as a kindred soul and feels a calling to realize her own artistic gifts. What she decides to do with the painting is part of a caper worthy of the stories that Ted tells her. The novel is humorous, poignant, and always life-affirming, even when describing the bleakness of the teens’ early lives. “Art is a fragile magic, just like love,” as someone tells Louisa, “and that’s humanity’s only defense against death.”
A tender and moving portrait about the transcendent power of art and friendship.Pub Date: May 6, 2025
ISBN: 9781982112820
Page Count: 448
Publisher: Atria
Review Posted Online: July 4, 2025
Kirkus Reviews Issue: Aug. 1, 2025
SEEN & HEARD
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