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JEST AND DIE

Another offbeat, engaging mix of mystery and romance.

Still cold-shouldered by her dreamboat, dishy DI James, private eye Jordan Lacey turns to a host of male admirers to help her crack her latest case.

Word of Jordan’s success in returning an escaped tortoise to its rightful owner (Hide and Die, 2003) has obviously made her a hot commodity, because now she’s got two clients. Millionaire butcher Samuel Steele hires her to find out who’s been poisoning plants at his pricey estate on Updown Hill. And gorgeous George Hill, a.k.a. George the Jester, wants her to rid him of a middle-aged stalker. Part of her job, naturally, is to dress in “something snazzy” (a red mini-dress, which she dons minutes before James shows up unexpectedly at her apartment) and accompany him to his potty-mouthed comedy act in Brighton. Meantime, Steele’s wife Anne has vanished, leaving behind a briefcase filled with pound notes, notebooks, and spreadsheets that Jordan entrusts to restaurant owner Miguel, who wants in return only the pleasure of her company at dinner. But Jordan takes a brief detour into the arms of DS Ben Evans, hoping he’ll dust the papers for prints in exchange for some serious smooching. When things go really, really wrong, Oliver Guilbert, owner of Latching’s finest department store, stands by her side offering words of comfort and the promise of a job. Jordan really wants James and only James—even though James doesn’t want her.

Another offbeat, engaging mix of mystery and romance.

Pub Date: May 1, 2004

ISBN: 0-7278-5980-3

Page Count: 240

Publisher: Severn House

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 2004

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CONVICTION

This one has it all: sexual predation, financial skulduggery, reluctant heroism, even the power of social media.

A compelling, complex thriller as modern as tomorrow.

Mina (The Long Drop, 2017, etc.) leaves historical Glasgow and sets this crackling tale in the very moment. Sophie Bukaran is living as Anna McDonald; she's hidden herself in Glasgow, in marriage to a lawyer, in being mother to two girls. Then one November morning, between episodes of a true-crime podcast called Death and the Dana, her life "explode[s]." Her best friend, Estelle, is at the door, and Anna's husband reveals that he and Estelle are lovers and they're leaving with the girls. Anna considers suicide, but the podcast distracts her. Leon Parker and his family have died aboard the Dana, and the ship's cook has been convicted. The podcast asserts that the cook could not be guilty and the deaths were the result of a murder-suicide committed by Parker. But Anna knew Leon Parker and feels he could not be the culprit, so she decides to try to learn more about his fate. When Estelle's anorexic and feckless husband, Fin, a minor rock-and-roll celebrity, appears at her door, he is caught up in her decision, and they eventually create a companion podcast that details their explorations. But in the process Anna and Fin are photographed and the pictures posted online, so Anna's quest becomes entwined with threats to Sophie Bukaran's life. Years earlier Sophie was raped by members of a beloved football team, and her accusations threatened the team's reputation and value. When the only corroborator of her testimony was silenced, Sophie was discredited in the usual manner: Her morals were questionable, she was possibly drunk, she was seeking money. Dismissed and subjected to public vilification, Sophie disappeared. But a new witness has come forward and could confirm Sophie's accusations, and her reappearance again threatens a financial empire. As Fin's podcast becomes wildly popular and he and Anna begin to unravel the mystery of Leon Parker's death, the assassins seeking Sophie close in.

This one has it all: sexual predation, financial skulduggery, reluctant heroism, even the power of social media.

Pub Date: June 25, 2019

ISBN: 978-0-316-52850-4

Page Count: 384

Publisher: Mulholland Books/Little, Brown

Review Posted Online: March 30, 2019

Kirkus Reviews Issue: April 15, 2019

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GONE GIRL

One of those rare thrillers whose revelations actually intensify its suspense instead of dissipating it. The final pages are...

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  • New York Times Bestseller

A perfect wife’s disappearance plunges her husband into a nightmare as it rips open ugly secrets about his marriage and, just maybe, his culpability in her death.

Even after they lost their jobs as magazine writers and he uprooted her from New York and spirited her off to his childhood home in North Carthage, Mo., where his ailing parents suddenly needed him at their side, Nick Dunne still acted as if everything were fine between him and his wife, Amy. His sister Margo, who’d gone partners with him on a local bar, never suspected that the marriage was fraying, and certainly never knew that Nick, who’d buried his mother and largely ducked his responsibilities to his father, stricken with Alzheimer’s, had taken one of his graduate students as a mistress. That’s because Nick and Amy were both so good at playing Mr. and Ms. Right for their audience. But that all changes the morning of their fifth anniversary when Amy vanishes with every indication of foul play. Partly because the evidence against him looks so bleak, partly because he’s so bad at communicating grief, partly because he doesn’t feel all that grief-stricken to begin with, the tide begins to turn against Nick. Neighbors who’d been eager to join the police in the search for Amy begin to gossip about him. Female talk-show hosts inveigh against him. The questions from Detective Rhonda Boney and Detective Jim Gilpin get sharper and sharper. Even Nick has to acknowledge that he hasn’t come close to being the husband he liked to think he was. But does that mean he deserves to get tagged as his wife’s killer? Interspersing the mystery of Amy’s disappearance with flashbacks from her diary, Flynn (Dark Places, 2009, etc.) shows the marriage lumbering toward collapse—and prepares the first of several foreseeable but highly effective twists.

One of those rare thrillers whose revelations actually intensify its suspense instead of dissipating it. The final pages are chilling.

Pub Date: June 5, 2012

ISBN: 978-0-307-58836-4

Page Count: 432

Publisher: Crown

Review Posted Online: April 22, 2012

Kirkus Reviews Issue: May 1, 2012

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