Clever writing balances out the conspiracy theories, but the fictional treatment of this issue leaves readers wondering...
A social satire raises spooky questions about food additives.
"The brain is like the Amazon, Leveraux. Ten steps in and we're lost." So flavorist-in-training David Leveraux is told by his boss when he reveals his worries about the obesity and depression of the animals on whom he's testing a new artificial sweetener, Sweetness #9. The boss explains that as these things go, cancer is easy. Other side effects are "like a scuttling sound on the jungle floor, something that shakes a bush or runs up a tree just moments before you can identify it." That observation is the heart of the first novel by Clark (he's also written a story collection, Vladimir's Moustache, 2012), which will make you nervous about what you eat. Shortly after this conversation, Leveraux is fired and committed to an institution. Then the novel leapfrogs from 1973 to 1998. Leveraux is out of the bin, back in the business and patriarch of a family raised on fake food. Things are not going well: His wife has weight problems, his son has stopped using verbs, and his angry, rebellious daughter is researching an article on food additives. In fact, every character may or may not be showing the depredations of a chemically based diet, and the problem may have originated with experiments in Hitler's bunker. While the plot goes off the deep end, Clark's wit never flags. Of his son Ernest, Leveraux observes, "Churchill once spoke of Russia as a riddle wrapped in a mystery inside an enigma;...I might describe [Ernest] as a corn dog wrapped inside a slice of pizza stuffed in a Hot Pocket." Of a rival company, Tanko-Shinju: "I've heard [it] translated both as 'pink pearl' and 'two men commit suicide in a coal mine.' "
Clever writing balances out the conspiracy theories, but the fictional treatment of this issue leaves readers wondering about the facts.Pub Date: Aug. 19, 2014
ISBN: 978-0-316-27875-1
Page Count: 336
Publisher: Little, Brown
Review Posted Online: June 16, 2014
Kirkus Reviews Issue: July 1, 2014
PROFILES
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
A deeply satisfying novel, both sensuously vivid and remarkably poignant.
Norwegian novelist Jacobsen folds a quietly powerful coming-of-age story into a rendition of daily life on one of Norway’s rural islands a hundred years ago in a novel that was shortlisted for the 2017 Man Booker International Prize.
Ingrid Barrøy, her father, Hans, mother, Maria, grandfather Martin, and slightly addled aunt Barbro are the owners and sole inhabitants of Barrøy Island, one of numerous small family-owned islands in an area of Norway barely touched by the outside world. The novel follows Ingrid from age 3 through a carefree early childhood of endless small chores, simple pleasures, and unquestioned familial love into her more ambivalent adolescence attending school off the island and becoming aware of the outside world, then finally into young womanhood when she must make difficult choices. Readers will share Ingrid’s adoration of her father, whose sense of responsibility conflicts with his romantic nature. He adores Maria, despite what he calls her “la-di-da” ways, and is devoted to Ingrid. Twice he finds work on the mainland for his sister, Barbro, but, afraid she’ll be unhappy, he brings her home both times. Rooted to the land where he farms and tied to the sea where he fishes, Hans struggles to maintain his family’s hardscrabble existence on an island where every repair is a struggle against the elements. But his efforts are Sisyphean. Life as a Barrøy on Barrøy remains precarious. Changes do occur in men’s and women’s roles, reflected in part by who gets a literal chair to sit on at meals, while world crises—a war, Sweden’s financial troubles—have unexpected impact. Yet the drama here occurs in small increments, season by season, following nature’s rhythm through deaths and births, moments of joy and deep sorrow. The translator’s decision to use roughly translated phrases in conversation—i.e., “Tha’s goen’ nohvar” for "You’re going nowhere")—slows the reading down at first but ends up drawing readers more deeply into the world of Barrøy and its prickly, intensely alive inhabitants.
A deeply satisfying novel, both sensuously vivid and remarkably poignant.Pub Date: April 7, 2020
ISBN: 978-1-77196-319-0
Page Count: 272
Publisher: Biblioasis
Review Posted Online: Jan. 12, 2020
Kirkus Reviews Issue: Feb. 1, 2020
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