Wittier than the Wimpy Kid and with a movie in the offing, the series can only gain fans.

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THE BOOK YOU'RE NOT SUPPOSED TO HAVE

From the Timmy Failure series , Vol. 5

Who could ban the world's greatest detective from detecting? In a word: mom.

After the fiasco that was his last case (and Timmy Failure may not admit it, but which of his cases wasn't a fiasco?), his mother banned him from running his detective business...at least until the end of the school year. Thanks to a teacher's strike, the school year gets extended, but Timmy has too many important cases (not really) to wait. He sets up shop in the garden-shed section of the local Home Despot, and while attempting to survive piano lessons, orthodontist visits, his mother's wedding plans, and possibly homicidal cousins, he secretly continues to detect (even though his polar-bear assistant is too distracted by the $1 hot dogs sold nearby to do any assisting). When best friend Rollo Tookus goes missing, Timmy is on the case, hiring tangerine-scented Molly Moskins to help out. Will he find Rollo? Will Mom marry Doorman Dave? Will Timmy realize his detection skills rival those of the nearest rosebush? Cartoonist Pastis continues his heavily illustrated bestselling series with a fifth mystery that basically doesn't exist. Several chapter titles will be funny only to adults reading along, but the ample cartoons and clueless timfoolery will entertain all and sundry.

Wittier than the Wimpy Kid and with a movie in the offing, the series can only gain fans. (Graphic/mystery hybrid. 7-12)

Pub Date: Sept. 27, 2016

ISBN: 978-0-7636-9004-5

Page Count: 304

Publisher: Candlewick

Review Posted Online: June 22, 2016

Kirkus Reviews Issue: July 1, 2016

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Readers can still rely on this series to bring laughs.

WRECKING BALL

From the Diary of a Wimpy Kid series , Vol. 14

The Heffley family’s house undergoes a disastrous attempt at home improvement.

When Great Aunt Reba dies, she leaves some money to the family. Greg’s mom calls a family meeting to determine what to do with their share, proposing home improvements and then overruling the family’s cartoonish wish lists and instead pushing for an addition to the kitchen. Before bringing in the construction crew, the Heffleys attempt to do minor maintenance and repairs themselves—during which Greg fails at the work in various slapstick scenes. Once the professionals are brought in, the problems keep getting worse: angry neighbors, terrifying problems in walls, and—most serious—civil permitting issues that put the kibosh on what work’s been done. Left with only enough inheritance to patch and repair the exterior of the house—and with the school’s dismal standardized test scores as a final straw—Greg’s mom steers the family toward moving, opening up house-hunting and house-selling storylines (and devastating loyal Rowley, who doesn’t want to lose his best friend). While Greg’s positive about the move, he’s not completely uncaring about Rowley’s action. (And of course, Greg himself is not as unaffected as he wishes.) The gags include effectively placed callbacks to seemingly incidental events (the “stress lizard” brought in on testing day is particularly funny) and a lampoon of after-school-special–style problem books. Just when it seems that the Heffleys really will move, a new sequence of chaotic trouble and property destruction heralds a return to the status quo. Whew.

Readers can still rely on this series to bring laughs. (Graphic/fiction hybrid. 8-12)

Pub Date: Nov. 5, 2019

ISBN: 978-1-4197-3903-3

Page Count: 224

Publisher: Amulet/Abrams

Review Posted Online: Nov. 19, 2019

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More trampling in the vineyards of the Literary Classics section, with results that will tickle fancies high and low.

DOG MAN AND CAT KID

From the Dog Man series , Vol. 4

Recasting Dog Man and his feline ward, Li’l Petey, as costumed superheroes, Pilkey looks East of Eden in this follow-up to Tale of Two Kitties (2017).

The Steinbeck novel’s Cain/Abel motif gets some play here, as Petey, “world’s evilest cat” and cloned Li’l Petey’s original, tries assiduously to tempt his angelic counterpart over to the dark side only to be met, ultimately at least, by Li’l Petey’s “Thou mayest.” (There are also occasional direct quotes from the novel.) But inner struggles between good and evil assume distinctly subordinate roles to riotous outer ones, as Petey repurposes robots built for a movie about the exploits of Dog Man—“the thinking man’s Rin Tin Tin”—while leading a general rush to the studio’s costume department for appropriate good guy/bad guy outfits in preparation for the climactic battle. During said battle and along the way Pilkey tucks in multiple Flip-O-Rama inserts as well as general gags. He lists no fewer than nine ways to ask “who cut the cheese?” and includes both punny chapter titles (“The Bark Knight Rises”) and nods to Hamilton and Mary Poppins. The cartoon art, neatly and brightly colored by Garibaldi, is both as easy to read as the snappy dialogue and properly endowed with outsized sound effects, figures displaying a range of skin colors, and glimpses of underwear (even on robots).

More trampling in the vineyards of the Literary Classics section, with results that will tickle fancies high and low. (drawing instructions) (Graphic fantasy. 7-10)

Pub Date: Dec. 26, 2017

ISBN: 978-0-545-93518-0

Page Count: 256

Publisher: Graphix/Scholastic

Review Posted Online: May 14, 2018

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