An engaging book for kids, with a particular interest for the budding mechanic.
A middle-grade fantasy novel continues the story of a young inventor and his hidden golden hometown of Chelldrah-ham.
After the events of the previous book (Stig’s Flight of Encounters, 2014), Stig returns to Chelldrah-ham with tales of the lands beyond: the sentient wooden pods that produce healing “corms,” the corrupted race of creatures called the Bach, the flower-wearing folk of the forest of Polandrea. The city’s Elders have debriefed him thoroughly about the Bach threat as well as the strange substance called “usty metal.” Stig’s instincts tell him they’re hiding something, so he keeps his newly developed empathic abilities secret, though he frequently communicates in dreams with Meg, the Polandrean girl he fell for on his journey. Alarmed when she falls silent, he gains permission to visit her, setting out with his best friend, Arn, one of the city’s doughty Guards of Old. They are shocked when they retrace Stig’s steps, visiting the homes of friends he made—and discover only devastation, the aftermath of fierce battles with the Bach. And when they finally reach Meg’s homeland, they discover that she’s missing, on a mission to rescue her brother, one of many Polandreans kidnapped by the Bach for nefarious purposes. Soon, Stig learns that the Bach are under the influence of a woman named Anet, who came through a rift from a place called Earth, “not on this planet, but also not off it.” Anet starts to breed bigger, more evil Bach with the help of a poison called Chaos; she plans to unleash her army and take over both worlds. Can Stig and his friends stop her before it’s too late? While the first book in the Chelldrah-ham series suffered from a surfeit of exposition, the background details pay off in this fast-paced sequel. Von Clinkerhoffen blends imaginative flora (like the fluid-filled flowers used as canteens) and fauna (Stig’s pets Noname, a plimph, and Jess, a fledgling bird of prey called a jeswit) with the hero’s love of machinery and problem-solving skills. The narrative chronicles Stig’s experiments with various contraptions, including a plane (he “pushed the motor lever forward to ‘Go.’ The motor whirred, the plane started to make a wooooooo sound, and a wind started to blow from the rear of the fuselage. It bounced slowly and then started shaking violently”).
An engaging book for kids, with a particular interest for the budding mechanic.Pub Date: Nov. 13, 2015
ISBN: 978-1-5147-0361-8
Page Count: 210
Publisher: CreateSpace
Review Posted Online: Jan. 28, 2016
Kirkus Reviews Issue: March 1, 2016
Review Program: Kirkus Indie
Lush, gorgeous, precise language and propulsive plotting sweep readers into a story as intelligent as it is atmospheric.
In 16th-century Madrid, a crypto-Jew with a talent for casting spells tries to steer clear of the Inquisition.
Luzia Cotado, a scullion and an orphan, has secrets to keep: “It was a game she and her mother had played, saying one thing and thinking another, the bits and pieces of Hebrew handed down like chipped plates.” Also handed down are “refranes”—proverbs—in “not quite Spanish, just as Luzia was not quite Spanish.” When Luzia sings the refranes, they take on power. “Aboltar cazal, aboltar mazal” (“A change of scene, a change of fortune”) can mend a torn gown or turn burnt bread into a perfect loaf; “Quien no risica, no rosica” (“Whoever doesn’t laugh, doesn’t bloom”) can summon a riot of foliage in the depths of winter. The Inquisition hangs over the story like Chekhov’s famous gun on the wall. When Luzia’s employer catches her using magic, the ambitions of both mistress and servant catapult her into fame and danger. A new, even more ambitious patron instructs his supernatural servant, Guillén Santángel, to train Luzia for a magical contest. Santángel, not Luzia, is the familiar of the title; he has been tricked into trading his freedom and luck to his master’s family in exchange for something he no longer craves but can’t give up. The novel comes up against an issue common in fantasy fiction: Why don’t the characters just use their magic to solve all their problems? Bardugo has clearly given it some thought, but her solutions aren’t quite convincing, especially toward the end of the book. These small faults would be harder to forgive if she weren’t such a beautiful writer. Part fairy tale, part political thriller, part romance, the novel unfolds like a winter tree bursting into unnatural bloom in response to one of Luzia’s refranes, as she and Santángel learn about power, trust, betrayal, and love.
Lush, gorgeous, precise language and propulsive plotting sweep readers into a story as intelligent as it is atmospheric.Pub Date: April 9, 2024
ISBN: 9781250884251
Page Count: 400
Publisher: Flatiron Books
Review Posted Online: Feb. 3, 2024
Kirkus Reviews Issue: March 1, 2024
Read this for the action-packed plot, not character development or worldbuilding.
On the orders of her mother, a woman goes to dragon-riding school.
Even though her mother is a general in Navarre’s army, 20-year-old Violet Sorrengail was raised by her father to follow his path as a scribe. After his death, though, Violet's mother shocks her by forcing her to enter the elite and deadly dragon rider academy at Basgiath War College. Most students die at the War College: during training sessions, at the hands of their classmates, or by the very dragons they hope to one day be paired with. From Day One, Violet is targeted by her classmates, some because they hate her mother, others because they think she’s too physically frail to succeed. She must survive a daily gauntlet of physical challenges and the deadly attacks of classmates, which she does with the help of secret knowledge handed down by her two older siblings, who'd been students there before her. Violet is at the mercy of the plot rather than being in charge of it, hurtling through one obstacle after another. As a result, the story is action-packed and fast-paced, but Violet is a strange mix of pure competence and total passivity, always managing to come out on the winning side. The book is categorized as romantasy, with Violet pulled between the comforting love she feels from her childhood best friend, Dain Aetos, and the incendiary attraction she feels for family enemy Xaden Riorson. However, the way Dain constantly undermines Violet's abilities and his lack of character development make this an unconvincing storyline. The plots and subplots aren’t well-integrated, with the first half purely focused on Violet’s training, followed by a brief detour for romance, and then a final focus on outside threats.
Read this for the action-packed plot, not character development or worldbuilding.Pub Date: May 2, 2023
ISBN: 9781649374042
Page Count: 528
Publisher: Red Tower
Review Posted Online: Jan. 12, 2024
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