A thought-provoking and optimistic set of tactics for stress elimination.


A comprehensive guide to reducing workplace stress.

This latest book from corporate trainer and consultant Berryman (Nine Strategies for Dealing With the Difficult Stuff, 2016) aims to help readers identify the effects of stress in their own lives and in those of the people around them. She then offers ways for readers to change their responses to stress, reduce it, and increase their productivity. Berryman’s strategies draw on the author’s personal experience helping clients in her private practice.She begins with general statistics that bear witness to the widespread, harmful effects of stress on the workplace, and on workers’ physical health, in particular. She then proceeds to carve out a series of strategies that range from the internal (“Just as you would never expect to be able to run without a break for eight hours a day, you wouldn’t expect uninterrupted activity from your brain either”) to the communal (“Approaching a person with curiosity rather than judgment makes our relationships stronger”). In all cases, Berryman emphasizes enhancing self-awareness and taking the time to step back and notice harmful and beneficial patterns. This comes into sharpest focus in a chapter on creating positive new habits; she describes habits, in general, as “the brain’s way of saving energy,” and throws light on the fact that many stress-inducing elements are, in fact, merely bad habits—which are, of course, susceptible to change. She also notes that people often don’t realize how much power they’re giving away to harmful people and situations; in essence, the steps that she outlines here effectively aim at taking that power back.

A thought-provoking and optimistic set of tactics for stress elimination.

Pub Date: N/A

ISBN: 978-1-9991708-0-6

Page Count: 314

Publisher: Manage to Engage

Review Posted Online: Dec. 4, 2019

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Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...



Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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Noted jazz and pop record producer Thiele offers a chatty autobiography. Aided by record-business colleague Golden, Thiele traces his career from his start as a ``pubescent, novice jazz record producer'' in the 1940s through the '50s, when he headed Coral, Dot, and Roulette Records, and the '60s, when he worked for ABC and ran the famous Impulse! jazz label. At Coral, Thiele championed the work of ``hillbilly'' singer Buddy Holly, although the only sessions he produced with Holly were marred by saccharine strings. The producer specialized in more mainstream popsters like the irrepressibly perky Teresa Brewer (who later became his fourth wife) and the bubble-machine muzak-meister Lawrence Welk. At Dot, Thiele was instrumental in recording Jack Kerouac's famous beat- generation ramblings to jazz accompaniment (recordings that Dot's president found ``pornographic''), while also overseeing a steady stream of pop hits. He then moved to the Mafia-controlled Roulette label, where he observed the ``silk-suited, pinky-ringed'' entourage who frequented the label's offices. Incredibly, however, Thiele remembers the famously hard-nosed Morris Levy, who ran the label and was eventually convicted of extortion, as ``one of the kindest, most warm-hearted, and classiest music men I have ever known.'' At ABC/Impulse!, Thiele oversaw the classic recordings of John Coltrane, although he is the first to admit that Coltrane essentially produced his own sessions. Like many producers of the day, Thiele participated in the ownership of publishing rights to some of the songs he recorded; he makes no apology for this practice, which he calls ``entirely appropriate and without any ethical conflicts.'' A pleasant, if not exactly riveting, memoir that will be of most interest to those with a thirst for cocktail-hour stories of the record biz. (25 halftones, not seen)

Pub Date: May 1, 1995

ISBN: 0-19-508629-4

Page Count: 224

Publisher: Oxford Univ.

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: March 1, 1995

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