A touching and striking modern love story.
Opposites attract when a troubled tattoo artist lands in a medical resident’s ER in this contemporary romance novel.
Dr. Leland “Lee” Hawthorne, 31, and Wren Blanchard, 25, live near each other in Lafayette, Louisiana, yet they’re worlds apart. He’s finishing his charity hospital residency, and his doctor father, stepmother, and live-in decorator girlfriend, Marcelle, all hope that he’ll transition to a lucrative private practice. She’s a tattoo artist haunted by the fact that she was sexually abused at age 6 by her now-deceased addict mother’s boyfriend. The unlikely couple meet when Wren collapses at her tattoo parlor job with a ruptured cyst and Lee attends to her in the ER. He’s impressed by Wren’s sassy remarks and amazing body art; she’s wary but drawn to his kindness and bright-blue eyes. When Lee later spots Wren waiting for a ride from the hospital, he drives her home. They discover they live near each other and that they both lost their mothers and love fried peach pies. Wren later brings some pies to Lee’s house but runs into Marcelle, so she leaves, hurt that he never mentioned his current relationship during their flickering flirtation. Lee soon breaks things off with bad-fit Marcelle to pursue Wren. The two enjoy amazing sex, but later, Wren’s agony about her past reaches a breaking point, and it’s only further aggravated by Lee’s relatives’ looking askance at her tattoos. By novel’s end, however, Lee stages an intervention to put Wren’s demons to rest. Lafayette resident Fournet (Butterfly Ginger, 2015, etc.) delivers another beautifully drawn novel set among her city’s “Saint Streets,” with particularly lovely shadings of description. Wren’s tattoos are gorgeously detailed, and Lee’s attraction to them—and to the artistic, sensitive heroine—is both understandable and believable. Indeed, Fournet’s celebration of tattoo artistry is the narrative’s most compelling element. That said, the couple’s sex scenes and other romantic interludes, such as bonding over a puppy or going kayaking, are similar to those found in more routine romances. Still, Fournet competently crafts these necessary connecting scenes and weaves in the abuse back story in an appropriate manner. Overall, it’s an engaging effort that lives up to its title.
Pub Date: April 28, 2016
ISBN: N/A
Page Count: 330
Publisher: Blue Tulip Publishing
Review Posted Online: April 29, 2016
Kirkus Reviews Issue: June 1, 2016
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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