A smart romance that will satisfy existing fans and likely bring new ones to the table.

YOU FIRST

Fournet’s (Leave a Mark, 2016. etc.) latest romance matches a young mother with a crime novelist in a sweet tale about learning to cope with whatever life throws your way.

Grayson “Gray” Blackwood is a bestselling author suffering from a life-threatening brain tumor that’s rendered him homebound. His younger brother, Baxter, hires nursing student Meredith Ryan to keep an eye on him, and it’s love at first sight—for Gray, at least. He initially keeps his distance, though, and also keeps her in the dark about the gravity of his illness; indeed, Meredith scarcely sees him during the early days of her employment. Once they do meet face to face, she’s undeniably attracted but preoccupied with a chaotic home life that includes her 20-month-old son, Oscar; her ex-boyfriend and Oscar’s deadbeat dad, Jamie McCormick; and Jamie’s parents, who are none too pleased about Meredith living under their roof. (When she became pregnant at 17, her religious parents kicked her out; she reflects on their betrayal often, but it’s never fully resolved.) When Gray has a seizure, his secret is out, and from there, the narrative picks up in intensity until the finish. Meredith is an admirable protagonist—capable, wise beyond her years, and determined to make a good life for herself and her son. Gray is respectful, protective in all the right ways, and has Meredith’s best interests at heart. It’s fun to watch him loosen up over the course of their relationship; he’s initially ashamed of his attraction, particularly given that Meredith is nearly 10 years his junior, but soon he’s cracking jokes to hear her laugh, which he describes as reminiscent of “Mardi Gras doubloons and Saturday mornings.” It’s not so fun, however, to watch Jamie try to tighten his hold on Meredith, and their interactions offer a timely commentary on the complexities of consent and sexual assault. Gray’s eventual medical emergency is predictable, but the book’s grounded characters and honest writing prevent it from reading like melodrama.

A smart romance that will satisfy existing fans and likely bring new ones to the table.

Pub Date: Dec. 12, 2016

ISBN: N/A

Page Count: -

Publisher: Blue Tulip Publishing

Review Posted Online: Dec. 13, 2016

Kirkus Reviews Issue: Jan. 15, 2017

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Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of...

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IT ENDS WITH US

Hoover’s (November 9, 2015, etc.) latest tackles the difficult subject of domestic violence with romantic tenderness and emotional heft.

At first glance, the couple is edgy but cute: Lily Bloom runs a flower shop for people who hate flowers; Ryle Kincaid is a surgeon who says he never wants to get married or have kids. They meet on a rooftop in Boston on the night Ryle loses a patient and Lily attends her abusive father’s funeral. The provocative opening takes a dark turn when Lily receives a warning about Ryle’s intentions from his sister, who becomes Lily’s employee and close friend. Lily swears she’ll never end up in another abusive home, but when Ryle starts to show all the same warning signs that her mother ignored, Lily learns just how hard it is to say goodbye. When Ryle is not in the throes of a jealous rage, his redeeming qualities return, and Lily can justify his behavior: “I think we needed what happened on the stairwell to happen so that I would know his past and we’d be able to work on it together,” she tells herself. Lily marries Ryle hoping the good will outweigh the bad, and the mother-daughter dynamics evolve beautifully as Lily reflects on her childhood with fresh eyes. Diary entries fancifully addressed to TV host Ellen DeGeneres serve as flashbacks to Lily’s teenage years, when she met her first love, Atlas Corrigan, a homeless boy she found squatting in a neighbor’s house. When Atlas turns up in Boston, now a successful chef, he begs Lily to leave Ryle. Despite the better option right in front of her, an unexpected complication forces Lily to cut ties with Atlas, confront Ryle, and try to end the cycle of abuse before it’s too late. The relationships are portrayed with compassion and honesty, and the author’s note at the end that explains Hoover’s personal connection to the subject matter is a must-read.

Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of the survivors.

Pub Date: Aug. 2, 2016

ISBN: 978-1-5011-1036-8

Page Count: 320

Publisher: Atria

Review Posted Online: May 31, 2016

Kirkus Reviews Issue: June 15, 2016

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A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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DEVOLUTION

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z (2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 10, 2020

Kirkus Reviews Issue: March 1, 2020

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