A smart romance that will satisfy existing fans and likely bring new ones to the table.
Fournet’s (Leave a Mark, 2016. etc.) latest romance matches a young mother with a crime novelist in a sweet tale about learning to cope with whatever life throws your way.
Grayson “Gray” Blackwood is a bestselling author suffering from a life-threatening brain tumor that’s rendered him homebound. His younger brother, Baxter, hires nursing student Meredith Ryan to keep an eye on him, and it’s love at first sight—for Gray, at least. He initially keeps his distance, though, and also keeps her in the dark about the gravity of his illness; indeed, Meredith scarcely sees him during the early days of her employment. Once they do meet face to face, she’s undeniably attracted but preoccupied with a chaotic home life that includes her 20-month-old son, Oscar; her ex-boyfriend and Oscar’s deadbeat dad, Jamie McCormick; and Jamie’s parents, who are none too pleased about Meredith living under their roof. (When she became pregnant at 17, her religious parents kicked her out; she reflects on their betrayal often, but it’s never fully resolved.) When Gray has a seizure, his secret is out, and from there, the narrative picks up in intensity until the finish. Meredith is an admirable protagonist—capable, wise beyond her years, and determined to make a good life for herself and her son. Gray is respectful, protective in all the right ways, and has Meredith’s best interests at heart. It’s fun to watch him loosen up over the course of their relationship; he’s initially ashamed of his attraction, particularly given that Meredith is nearly 10 years his junior, but soon he’s cracking jokes to hear her laugh, which he describes as reminiscent of “Mardi Gras doubloons and Saturday mornings.” It’s not so fun, however, to watch Jamie try to tighten his hold on Meredith, and their interactions offer a timely commentary on the complexities of consent and sexual assault. Gray’s eventual medical emergency is predictable, but the book’s grounded characters and honest writing prevent it from reading like melodrama.
A smart romance that will satisfy existing fans and likely bring new ones to the table.Pub Date: Dec. 12, 2016
ISBN: N/A
Page Count: -
Publisher: Blue Tulip Publishing
Review Posted Online: Dec. 13, 2016
Kirkus Reviews Issue: Jan. 15, 2017
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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