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CITIZEN REPORTERS

S.S. MCCLURE, IDA TARBELL, AND THE MAGAZINE THAT REWROTE AMERICA

An adequate resource for readers new to this piece of the history of American journalism.

A history of McClure’s magazine, its publisher, and its most important contributor.

While employed on the editorial side of magazines and book publishing, Gorton began wondering about the motivations and interpersonal dynamics of writers and editors. When she discovered a century-old professional relationship between magazine publisher Samuel Sidney McClure and his star writer, Ida Minerva Tarbell, she began to conduct research for this book. Both born in 1857, McClure and Tarbell met in 1892 as he sought to hire her for the editorial staff of his nascent, eponymous monthly magazine. That magazine would become hugely successful from 1893 until about 1906, when internal and external forces caused a decline, leading to eventual closure. In Gorton’s wide-ranging book, the magazine does not make its debut until nearly 100 pages in. Before that, the author lays out a dual biography, alternating chapters between the two outsized personalities. While McClure was restless, Tarbell was steadier in nature. Gorton conducted primary documents research in archives filled with papers from McClure (mostly in Indiana) and Tarbell (mostly in Pennsylvania). The author also cites liberally from a previous McClure biography as well as two previous Tarbell biographies and her memoir, All in a Day’s Work, originally published in 1939. Tarbell’s fame rests largely on her accomplishments as a muckraking woman journalist in the male-dominated industry while McClure was well known for his ability to lead “by enthusiasm, rather than by example.” The best-known content—an exposé of Standard Oil Company and John D. Rockefeller researched and written by Tarbell—appeared in installments published between 1902 and 1904 and was later published in 1904 as The History of the Standard Oil Company. Though Gorton offers a sturdy portrait of Tarbell and McClure for a new generation of readers, much of the information she provides has already appeared in previous books and historical journals. The author variously refers to Tarbell as “Miss Tarbell,” “Ida Tarbell,” or simply “Ida,” which becomes distracting.

An adequate resource for readers new to this piece of the history of American journalism.

Pub Date: Feb. 18, 2020

ISBN: 978-0-06-279664-6

Page Count: 384

Publisher: Ecco/HarperCollins

Review Posted Online: Oct. 20, 2019

Kirkus Reviews Issue: Nov. 15, 2019

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WORKING

Caro’s skill as a biographer, master of compelling prose, appealing self-deprecation, and overall generous spirit shine...

At age 83, the iconic biographer takes time away from his work on the fifth volume of his acclaimed Lyndon Johnson biography to offer wisdom about researching and writing.

In sparkling prose, Caro (The Years of Lyndon Johnson: The Passage of Power, 2012, etc.)—who has won two Pulitzer Prizes, two National Book Awards, and three National Book Critics Circle Awards, among countless other honors—recounts his path from growing up sheltered in New York City to studying at Princeton, Harvard, and Columbia to unexpectedly becoming a newspaper reporter and deciding to devote his life to writing books. Thinking about his first book topic, he landed on developer Robert Moses, “the most powerful figure in New York City and New York State for more than forty years—more powerful than any mayor or any governor, or any mayor and governor combined.” After Caro received a book contract with a small advance from a publisher, he, his wife (and research assistant), Ina, and their son struggled to make ends meet as the project consumed about a decade, much longer than the author had anticipated. The book was more than 1,300 pages, and its surprising success gave Caro some financial stability. The author explains that he focused on Johnson next as an exemplar of how to wield political power on a national scale. Throughout the book, the author shares fascinating insights into his research process in archives; his information-gathering in the field, such as the Texas Hill Country; his interviewing techniques; his practice of writing the first draft longhand with pens and pencils; and his ability to think deeply about his material. Caro also offers numerous memorable anecdotes—e.g., how he verified rumors that Johnson became a senator in 1948 via illegal ballot counting in one rural county.

Caro’s skill as a biographer, master of compelling prose, appealing self-deprecation, and overall generous spirit shine through on every page.

Pub Date: April 9, 2019

ISBN: 978-0-525-65634-0

Page Count: 240

Publisher: Knopf

Review Posted Online: Jan. 20, 2019

Kirkus Reviews Issue: Feb. 1, 2019

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THE POWER NOTEBOOKS

An intriguing examination of the complexity of female power in a variety of relationships.

A collection of personal journal entries from the feminist writer that explores power dynamics and “a subject [she] kept coming back to: women strong in public, weak in private.”

Cultural critic and essayist Roiphe (Cultural Reporting and Criticism/New York Univ.; The Violet Hour: Great Writers at the End, 2016, etc.), perhaps best known for the views she expressed on victimization in The Morning After: Sex, Fear, and Feminism (1994), is used to being at the center of controversy. In her latest work, the author uses her personal journals to examine the contradictions that often exist between the public and private lives of women, including her own. At first, the fragmented notebook entries seem overly scattered, but they soon evolve into a cohesive analysis of the complex power dynamics facing women on a daily basis. As Roiphe shares details from her own life, she weaves in quotes from the writings of other seemingly powerful female writers who had similar experiences, including Sylvia Plath, Simone de Beauvoir, Virginia Woolf, and Hillary Clinton. In one entry, Roiphe theorizes that her early published writings were an attempt to “control and tame the narrative,” further explaining that she has “so long and so passionately resisted the victim role” because she does not view herself as “purely a victim” and not “purely powerless.” However, she adds, that does not mean she “was not facing a man who was twisting or distorting his power; it does not mean that the wrongness, the overwhelmed feeling was not there.” Throughout the book, the author probes the question of why women so often subjugate their power in their private lives, but she never quite finds a satisfying answer. The final entry, however, answers the question of why she chose to share these personal journal entries with the public: “To be so exposed feels dangerous, but having done it, I also feel free.”

An intriguing examination of the complexity of female power in a variety of relationships.

Pub Date: March 3, 2020

ISBN: 978-1-9821-2801-2

Page Count: 256

Publisher: Free Press

Review Posted Online: Dec. 21, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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