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DISPLACED

A MEMOIR

A weighty, captivating look at a caregiver who deals with death, mental illness, and the struggles of refugees in America.

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In this memoir, a caregiver relates the stories of the myriad people in her life she has helped, including her husband, mother, and an African family.

Years after their relationship began in secret, Larkin’s (Resettled, 2016) colleague Ron proposed to her. Soon after, they would find themselves moving to Boise, Idaho, “to make a fresh start”—in a city that seemingly wouldn’t hold many surprises but where the author quickly found herself caught up in the plight of the Bantu people. A persecuted ethnic minority from Somalia seeking asylum in the United States, the Bantu were brought to Boise in an effort to disperse refugee populations outside the major cities. Coincidentally, Larkin had studied the Bantu in school. She soon found herself helping and befriending young mother Fatuma; her ill husband, Yusuf; and their three children. The author helped Fatuma’s family to navigate mental illness, cancer, and a rebellious older son—finding the familial connection she sometimes lacked from her standoffish stepchildren. “Fatuma and I were so different,” Larkin writes, “but certain tragedies continued to bind us together.” With the discovery that Ron had glioblastoma multiforme, the author suddenly encountered a maze of fear and bureaucracy that would eventually lead her to lose the love of her life. She then started over yet again by leaving for Seattle to care for her elderly mother. The author skillfully shows how these events led her to experience many of Fatuma’s feelings of alienation and strain without ever leaving her own country. In its opening chapters, Larkin’s book explores the familiar tropes of a Westerner trying to reconcile immigrant experiences and foreign cultures with a suburban lifestyle that suddenly seems lavish. At one point, the author returned home and realized her garage was bigger than Fatuma’s apartment. But soon Larkin settles into a much more intriguing and substantial meditation on caregivers. Without ever boasting or lamenting, the author manages to perfectly capture both the joys and the immense psychological toll of constantly helping others, becoming an inspiring survivor herself in the process.

A weighty, captivating look at a caregiver who deals with death, mental illness, and the struggles of refugees in America.

Pub Date: Sept. 1, 2016

ISBN: 978-0-9976983-0-5

Page Count: 284

Publisher: Ahadi Publications

Review Posted Online: Feb. 27, 2018

Kirkus Reviews Issue: April 1, 2018

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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