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THE END OF NORMAL

A WIFE'S ANGUISH, A WIDOW'S NEW LIFE

A tertiary and not-terribly-sympathetic character tells her side of this modern-day Shakespearian tragedy.

Cringingly sad account of the fall of the house of Madoff by the second wife of the eldest son.

A former assistant to designer Narciso Rodriguez, the author married Mark Madoff, a senior manager at Bernie L. Madoff Investment Securities, in 2004. She settled in for a comfortable marriage and motherhood in their tony Soho loft and enjoyed a close relationship with Mark’s family—even though she had to jostle for her own place in the “pecking order.” In fact, she was seven months’ pregnant with their second child in December 2008, when her father-in-law confessed to his two sons that “it’s all one big lie” and that he was going to give out Christmas bonuses early in order to circumvent authorities before he had to turn himself in. However, the sons went to the feds first, and even though “they had no proof, no documents, no insider knowledge,” they convinced the authorities that “the King Midas of Wall Street” was a fraud. The author reveals that she knows very little about the financial shenanigans of her father-in-law, only that Bernie was practicing a shameful Ponzi scheme; she maintains a kind of childlike distance from it all. She and Mark remained mystified and resentful that Bernie’s wife would stand by her husband rather than take their side, and she reflexively insists that her husband knew nothing of Bernie’s private fund, despite investigations to the contrary. Mark’s suicide in 2010 only compounded the suspicions around him.

A tertiary and not-terribly-sympathetic character tells her side of this modern-day Shakespearian tragedy.

Pub Date: Oct. 20, 2011

ISBN: 978-0-399-15816-2

Page Count: 256

Publisher: Blue Rider Press

Review Posted Online: Nov. 3, 2011

Kirkus Reviews Issue: Nov. 15, 2011

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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