Too many plotlines, too little nuance.
In this series opener, Shelby Sharp, the oldest daughter of a Charlotte, North Carolina, mayoral candidate, pursues her fashion-design dream and takes an earnest but simplistic stand against domestic violence.
There are five Sharp sisters, three biological and two adopted, but the others make only sporadic appearances here. The inconsistent attention paid to Shelby’s four younger sisters is typical of the oddly disjointed narrative: The girls are horrified to learn their father will be sending them to public school as a political move, but they acclimate with relatively little trouble. What at first appears to be a story about Shelby’s attempts to stay away from a rival candidate’s dreamy stepson for the good of her father’s campaign abruptly becomes a story about Shelby’s desire to become a fashion designer despite her mother’s wish that she go into law. The narrative voice is similarly clumsy, often providing unnecessary and repetitive explanations (“ ‘It’s not a scarf, Mom. It’s a scart—a scarf-belt,’ I said brazenly, wanting her to use the right name for my design”). Domestic violence is a theme throughout, but it is portrayed with almost cartoonish obviousness. The second and third volumes, Better Than Picture Perfect and Turn Up for Real, publish simultaneously.
Too many plotlines, too little nuance. (Fiction. 12-16)Pub Date: Oct. 1, 2014
ISBN: 978-1-4677-4488-1
Page Count: 152
Publisher: Darby Creek
Review Posted Online: Aug. 26, 2014
Kirkus Reviews Issue: Sept. 15, 2014
A smart, timely outing.
Two teens connect through a mysterious podcast in this sophomore effort by British author Oseman (Solitaire, 2015).
Frances Janvier is a 17-year-old British-Ethiopian head girl who is so driven to get into Cambridge that she mostly forgoes friendships for schoolwork. Her only self-indulgence is listening to and creating fan art for the podcast Universe City, “a…show about a suit-wearing student detective looking for a way to escape a sci-fi, monster-infested university.” Aled Last is a quiet white boy who identifies as “partly asexual.” When Frances discovers that Aled is the secret creator of Universe City, the two embark on a passionate, platonic relationship based on their joint love of pop culture. Their bond is complicated by Aled’s controlling mother and by Frances’ previous crush on Aled’s twin sister, Carys, who ran away last year and disappeared. When Aled’s identity is accidently leaked to the Universe City fandom, he severs his relationship with Frances, leaving her questioning her Cambridge goals and determined to win back his affection, no matter what the cost. Frances’ narration is keenly intelligent; she takes mordant pleasure in using an Indian friend’s ID to get into a club despite the fact they look nothing alike: “Gotta love white people.” Though the social-media–suffused plot occasionally lags, the main characters’ realistic relationship accurately depicts current issues of gender, race, and class.
A smart, timely outing. (Fiction. 12-16)Pub Date: March 28, 2017
ISBN: 978-0-06-233571-5
Page Count: 496
Publisher: HarperTeen
Review Posted Online: Jan. 16, 2017
Kirkus Reviews Issue: Feb. 1, 2017
Characters to love, quips to snort at, insights to ponder: typical Spinelli.
For two teenagers, a small town’s annual cautionary ritual becomes both a life- and a death-changing experience.
On the second Wednesday in June, every eighth grader in Amber Springs, Pennsylvania, gets a black shirt, the name and picture of a teen killed the previous year through reckless behavior—and the silent treatment from everyone in town. Like many of his classmates, shy, self-conscious Robbie “Worm” Tarnauer has been looking forward to Dead Wed as a day for cutting loose rather than sober reflection…until he finds himself talking to a strange girl or, as she would have it, “spectral maiden,” only he can see or touch. Becca Finch is as surprised and confused as Worm, only remembering losing control of her car on an icy slope that past Christmas Eve. But being (or having been, anyway) a more outgoing sort, she sees their encounter as a sign that she’s got a mission. What follows, in a long conversational ramble through town and beyond, is a day at once ordinary yet rich in discovery and self-discovery—not just for Worm, but for Becca too, with a climactic twist that leaves both ready, or readier, for whatever may come next. Spinelli shines at setting a tongue-in-cheek tone for a tale with serious underpinnings, and as in Stargirl (2000), readers will be swept into the relationship that develops between this adolescent odd couple. Characters follow a White default.
Characters to love, quips to snort at, insights to ponder: typical Spinelli. (Fiction. 12-15)Pub Date: Aug. 3, 2021
ISBN: 978-0-593-30667-3
Page Count: 240
Publisher: Knopf
Review Posted Online: May 31, 2021
Kirkus Reviews Issue: June 15, 2021
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