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A COUNTRY BETWEEN

MAKING A HOME WHERE BOTH SIDES OF JERUSALEM COLLIDE

A serene memoir in which the author takes valuable time to regard the character of the Palestinian people and their way of...

Reflections of a young American wife and mother trying to make a home in war-torn Jerusalem.

A peripatetic writer whose first memoir, The Bread of Angels, chronicled her life in Damascus while learning Arabic, here Saldaña (English/Al-Quds Bard Coll.) chronicles the latest leg of her life’s journey: leaving the monastery in the Syrian desert she often visited to marry a French monk, Frédéric. An American from Texas who grew up Catholic, the author was from a vastly different world than her deeply devout husband. Yet they were both avid travelers, and after getting married in his provincial hometown in France, they decided to settle, implausibly, in Jerusalem. Born under a lucky star, as his mother described him, Frédéric found the couple a home in a huge old house next to a monastery on Nablus Road, just outside the gates of the Old City: the “scar” between the Palestinian and Israeli sides. Saldaña’s Arab neighbors—e.g., the falafel seller who claimed her front steps for business—were intrigued by her and her Christianity as well as by her ability to speak Arabic with them; she wondered if they thought she was a spy. Many of her neighbors were bossy yet well-meaning, and when she finally got pregnant with her first child, their devotion and kindness deeply moved her. However, there was the constant specter of war just outside the borders of the neighborhood, where the Israeli soldiers constantly harassed the Palestinians for their identification papers, and the tension remained high. With limpid, often shimmering prose, Saldaña builds an impressive sense of genuine emotion, and she vividly explores the array of life in that seething section of Jerusalem. The couple’s first child was born in a hospital in Bethlehem—among other ironies beautifully understated.

A serene memoir in which the author takes valuable time to regard the character of the Palestinian people and their way of life.

Pub Date: March 1, 2017

ISBN: 978-1-4926-3905-3

Page Count: 352

Publisher: Sourcebooks

Review Posted Online: Dec. 6, 2016

Kirkus Reviews Issue: Dec. 15, 2016

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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