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THE BREAD OF ANGELS

A MEMOIR OF LOVE AND FAITH IN DAMASCUS

A beautifully woven exploration of language and spirituality.

A pious, studious Fulbright scholar’s year in Syria, learning about Christianity from the Muslim point of view.

In 2004, Saldaña arrived in Damascus, where she learned Arabic, studied the Quran, mingled with the micro-societies inhabiting the old city and frequented the Mar Musa monastery, where she rekindled her Christian faith. Raised in San Antonio, Texas, to a half-Mexican Catholic family with a history of manic depression and violence, Saldaña fled to the Middle East after college, where she felt strangely safer. She reinvented herself as a journalist in Lebanon, before moving back stateside to attend Harvard Divinity School. The author arrived in Damascus during the second Iraq war, as U.S. bombs were dropping on Baghdad, yet she received no hostility from the denizens of the Christian quarter Bab Touma, where she found a room off Straight Street. She happily ensconced herself in this “neighborhood of exiles,” full of Assyrians, Palestinians and Iraqis fleeing violence, and befriended the shopkeepers, recognizing soon that her medieval Arabic was unusable and laughable. Yet taking a practical language class at Damascus University only yielded tedious sentences full of current terminology like “guns,” “bombs,” “politics” and “explosion.” A month’s stint undergoing rigorous spiritual exercises at the Mar Musa monastery plunged her into meditation on what her calling was—to become a nun, or a writer? Ultimately, she resolved to engage in the “messiness” of life, and fell in love with a young French monk, Frédéric. In the second half of her memoir, the author chronicles her apprenticeship under a famous teacher of the Quran. This “lesson in personal humility” is the most affecting part of the book, and the American author’s reading of the Quran in Arabic proves gracious and moving.

A beautifully woven exploration of language and spirituality.

Pub Date: Feb. 9, 2010

ISBN: 978-0-385-52200-7

Page Count: 320

Publisher: Doubleday

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 15, 2009

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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