Positive—but not quite powerful.
A determined tot is ready for change.
This youngster, with a shock of brown hair, pink skin, and big, bold eyes, can change (almost) anything. Strong first-person narration radiates purposeful strength. Basic, everyday tasks such as getting dressed (“I can change the clothes I wear. / I can change my socks and shoes”) lead to small victories: “I can change a seed into a tree” (with the help of a watering can). Larger circumstances beyond a small child’s control require a bit more imagination: “I can change a rainy day into a day at sea.” (A cardboard boat sails through a puddle.) Taylor, co-founder of the Progressive Change Campaign Committee, knows about big ideas. Alas, too many ideas are strung together in this package, which muddles the intended empowerment message. The narration attempts to flow from concrete changes to more abstract ones: “I can change my feelings into words. / I can change ideas into things.” However, the platitudinous ending —“But I can change the world!”—falls flat. Occasional rhyme (“I can change myself from being shy. / I can make myself say hi”) results in choppy scansion. Brenlla’s retro art helps to enliven this list of buoyant encouragements.
Positive—but not quite powerful. (Picture book. 3-6)Pub Date: Nov. 5, 2019
ISBN: 978-1-947492-32-5
Page Count: 34
Publisher: Strong Arm Press
Review Posted Online: Sept. 28, 2019
Kirkus Reviews Issue: Oct. 15, 2019
BOOK REVIEW
A nice but not requisite purchase.
A retelling of the classic fairy tale in board-book format and with a Mexican setting.
Though simplified for a younger audience, the text still relates the well-known tale: mean-spirited stepmother, spoiled stepsisters, overworked Cinderella, fairy godmother, glass slipper, charming prince, and, of course, happily-ever-after. What gives this book its flavor is the artwork. Within its Mexican setting, the characters are olive-skinned and dark-haired. Cultural references abound, as when a messenger comes carrying a banner announcing a “FIESTA” in beautiful papel picado. Cinderella is the picture of beauty, with her hair up in ribbons and flowers and her typically Mexican many-layered white dress. The companion volume, Snow White, set in Japan and illustrated by Misa Saburi, follows the same format. The simplified text tells the story of the beautiful princess sent to the forest by her wicked stepmother to be “done away with,” the dwarves that take her in, and, eventually, the happily-ever-after ending. Here too, what gives the book its flavor is the artwork. The characters wear traditional clothing, and the dwarves’ house has the requisite shoji screens, tatami mats and cherry blossoms in the garden. The puzzling question is, why the board-book presentation? Though the text is simplified, it’s still beyond the board-book audience, and the illustrations deserve full-size books.
A nice but not requisite purchase. (Board book/fairy tale. 3-5)Pub Date: Sept. 13, 2016
ISBN: 978-1-4814-7915-8
Page Count: 24
Publisher: Little Simon/Simon & Schuster
Review Posted Online: Oct. 11, 2016
Kirkus Reviews Issue: Jan. 1, 2017
BOOK REVIEW
BOOK REVIEW
The action of this rhymed and humorous tale centers upon a mouse who "took a stroll/through the deep dark wood./A fox saw the mouse/and the mouse looked good." The mouse escapes being eaten by telling the fox that he is on his way to meet his friend the gruffalo (a monster of his imagination), whose favorite food is roasted fox. The fox beats a hasty retreat. Similar escapes are in store for an owl and a snake; both hightail it when they learn the particulars: tusks, claws, terrible jaws, eyes orange, tongue black, purple prickles on its back. When the gruffalo suddenly materializes out of the mouse's head and into the forest, the mouse has to think quick, declaring himself inedible as the "scariest creature in the deep dark wood," and inviting the gruffalo to follow him to witness the effect he has on the other creatures. When the gruffalo hears that the mouse's favorite food is gruffalo crumble, he runs away. It's a fairly innocuous tale, with twists that aren't sharp enough and treachery that has no punch. Scheffler's funny scenes prevent the suspense from culminating; all his creatures, predator and prey, are downright lovable. (Picture book. 3-6)
Pub Date: June 1, 1999
ISBN: 0-8037-2386-5
Page Count: 32
Publisher: Dial Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 1999
SEEN & HEARD
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