An effective biography that demonstrates Odetta’s wide, deep legacy.
One of the leading voices of the mid-20th-century folk revival receives her biographical due.
In a narrative that is both effectively researched and engagingly readable, Zack (Say No to the Devil: The Life and Musical Genius of Rev. Gary Davis, 2015) is convincing in his argument that Odetta Holmes (1930-2008) has been underappreciated for too long, and he shows how and why her reign as the “Queen of Folk” was over before folk music hit its commercial peak. When folk music, progressive politics, and the civil rights movement were forging a unity of conviction in the 1950s, the young Odetta was clearly the right artist at the right time, with a moral fervor in her powerful lower register that could bring audiences to their knees. She wasn’t threatening in the manner of ex-convict Lead Belly, and she hadn’t suffered the blacklisting taint of Pete Seeger and other more overtly leftist singers. With her regal bearing and impressive vocal talents, Odetta proved inspirational to audiences and fellow artists alike. “When I first heard her…my knees went to jelly,” said Joan Baez, who then rose to fame as younger white performers began to find the commercial success that had eclipsed anything Odetta had achieved—and deserved. Their success made her bitter, and she felt that even her longtime manager, Albert Grossman, had betrayed her. Odetta charged that as the first client managed by the man who would become a legend with a stable including Bob Dylan and Peter, Paul, and Mary, he “built his business on my back and I never benefited from it.” Stronger management might well have nurtured her potential as an actress and helped her to navigate the sea changes of the 1970s through the end of the century, when her performing draw diminished and her recording career stalled. She also battled alcohol addiction and was often branded as difficult offstage. Regardless of her struggles, Zack brings her back into the spotlight.
An effective biography that demonstrates Odetta’s wide, deep legacy.Pub Date: April 14, 2020
ISBN: 978-0-8070-3532-0
Page Count: 288
Publisher: Beacon Press
Review Posted Online: Dec. 16, 2019
Kirkus Reviews Issue: Jan. 15, 2020
Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.
Rootin’-tootin’ history of the dry-gulchers, horn-swogglers, and outright killers who populated the Wild West’s wildest city in the late 19th century.
The stories of Wyatt Earp and company, the shootout at the O.K. Corral, and Geronimo and the Apache Wars are all well known. Clavin, who has written books on Dodge City and Wild Bill Hickok, delivers a solid narrative that usefully links significant events—making allies of white enemies, for instance, in facing down the Apache threat, rustling from Mexico, and other ethnically charged circumstances. The author is a touch revisionist, in the modern fashion, in noting that the Earps and Clantons weren’t as bloodthirsty as popular culture has made them out to be. For example, Wyatt and Bat Masterson “took the ‘peace’ in peace officer literally and knew that the way to tame the notorious town was not to outkill the bad guys but to intimidate them, sometimes with the help of a gun barrel to the skull.” Indeed, while some of the Clantons and some of the Earps died violently, most—Wyatt, Bat, Doc Holliday—died of cancer and other ailments, if only a few of old age. Clavin complicates the story by reminding readers that the Earps weren’t really the law in Tombstone and sometimes fell on the other side of the line and that the ordinary citizens of Tombstone and other famed Western venues valued order and peace and weren’t particularly keen on gunfighters and their mischief. Still, updating the old notion that the Earp myth is the American Iliad, the author is at his best when he delineates those fraught spasms of violence. “It is never a good sign for law-abiding citizens,” he writes at one high point, “to see Johnny Ringo rush into town, both him and his horse all in a lather.” Indeed not, even if Ringo wound up killing himself and law-abiding Tombstone faded into obscurity when the silver played out.
Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.Pub Date: April 21, 2020
ISBN: 978-1-250-21458-4
Page Count: 400
Publisher: St. Martin's
Review Posted Online: Jan. 19, 2020
Kirkus Reviews Issue: Feb. 15, 2020
The book begins in Sri Lanka with the tsunami of 2004—a horror the author saw firsthand, and the aftermath of which he...
The latest from French writer/filmmaker Carrère (My Life as a Russian Novel, 2010, etc.) is an awkward but intermittently touching hybrid of novel and autobiography.
The book begins in Sri Lanka with the tsunami of 2004—a horror the author saw firsthand, and the aftermath of which he describes powerfully. Carrère and his partner, Hélène, then return to Paris—and do so with a mutual devotion that's been renewed and deepened by all they've witnessed. Back in France, Hélène's sister Juliette, a magistrate and mother of three small daughters, has suffered a recurrence of the cancer that crippled her in adolescence. After her death, Carrère decides to write an oblique tribute and an investigation into the ravages of grief. He focuses first on Juliette's colleague and intimate friend Étienne, himself an amputee and survivor of childhood cancer, and a man in whose talkativeness and strength Carrère sees parallels to himself ("He liked to talk about himself. It's my way, he said, of talking to and about others, and he remarked astutely that it was my way, too”). Étienne is a perceptive, dignified person and a loyal, loving friend, and Carrère's portrait of him—including an unexpectedly fascinating foray into Étienne and Juliette's chief professional accomplishment, which was to tap the new European courts for help in overturning longtime French precedents that advantaged credit-card companies over small borrowers—is impressive. Less successful is Carrère's account of Juliette's widower, Patrice, an unworldly cartoonist whom he admires for his fortitude but seems to consider something of a simpleton. Now and again, especially in the Étienne sections, Carrère's meditations pay off in fresh, pungent insights, and his account of Juliette's last days and of the aftermath (especially for her daughters) is quietly harrowing.Pub Date: Sept. 13, 2011
ISBN: 978-0-8050-9261-5
Page Count: 256
Publisher: Metropolitan/Henry Holt
Review Posted Online: Aug. 10, 2011
Kirkus Reviews Issue: Sept. 1, 2011
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