A dazzling Yuletide remembrance.
Grandma makes tamales by the dozens to bring Christmas cheer for la familia.
In her kitchen, “loud and cramped and perfumed with delicious smells,” Grandma prepares for the task that awaits. She intends to “sell as many tamales as she can before Christmas” so she can purchase gifts for her many children and grandchildren. Inspired by his real-life grandmother’s seasonal efforts, Briseño presents a series of cozy vignettes that focus on Latine familial love, narrated by an unnamed young child. In the crisp morning, Dad sells tamales from a cooler to co-workers and friends. When the days become colder, Mom and the tías bustle around the kitchen to lend a hand. Holidays and festivities unfold. On Halloween, Grandpa greets trick-or-treaters with candies, and on Thanksgiving, la familia gathers round to feast on turkey and other favorites. Grandma stands at the center of it all, with masa and corn husks in each hand. Boasting a vibrant palette of rich, earthy colors, Sánchez’s digital artwork superbly captures the tenderness and serenity of each scene. Grandma’s tamale milestones (“150 DOZEN TAMALES,” “850 DOZEN TAMALES”) crop up in bold and all caps throughout. Soon enough, the Christmas tree comes out, and lights fill each room. When Grandma wraps up her last tamales for the season, the real significance of the holiday emerges.
A dazzling Yuletide remembrance. (author’s note, tamale recipe) (Picture book. 4-8)Pub Date: Oct. 8, 2024
ISBN: 9780593647813
Page Count: 40
Publisher: Random House Studio
Review Posted Online: May 31, 2024
Kirkus Reviews Issue: July 1, 2024
BOOK REVIEW
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
Not enough tricks to make this a treat.
Another holiday title (How To Catch the Easter Bunny by Adam Wallace, illustrated by Elkerton, 2017) sticks to the popular series’ formula.
Rhyming four-line verses describe seven intrepid trick-or-treaters’ efforts to capture the witch haunting their Halloween. Rhyming roadblocks with toolbox is an acceptable stretch, but too often too many words or syllables in the lines throw off the cadence. Children familiar with earlier titles will recognize the traps set by the costume-clad kids—a pulley and box snare, a “Tunnel of Tricks.” Eventually they accept her invitation to “floss, bump, and boogie,” concluding “the dance party had hit the finale at last, / each dancing monster started to cheer! / There’s no doubt about it, we have to admit: / This witch threw the party of the year!” The kids are diverse, and their costumes are fanciful rather than scary—a unicorn, a dragon, a scarecrow, a red-haired child in a lab coat and bow tie, a wizard, and two space creatures. The monsters, goblins, ghosts, and jack-o'-lanterns, backgrounded by a turquoise and purple night sky, are sufficiently eerie. Still, there isn’t enough originality here to entice any but the most ardent fans of Halloween or the series. (This book was reviewed digitally.)
Not enough tricks to make this a treat. (Picture book. 4-7)Pub Date: Aug. 2, 2022
ISBN: 978-1-72821-035-3
Page Count: 40
Publisher: Sourcebooks Wonderland
Review Posted Online: May 10, 2022
Kirkus Reviews Issue: June 1, 2022
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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