A hopeful story that encourages compassion.
Waiting to cross the border is no easy task.
A young girl named Noemi and her mother leave Mexico in search of a safer place to live. Arriving at the border, they must wait. They give their names and country of origin to the kind Notebook Keeper, Belinda, a volunteer tasked with keeping track of asylum seekers waiting to plead their cases. Each day, Belinda calls out the names of those who can move forward in the process. The author’s note explains that this is based on a real-life process at the San Ysidro Border Crossing in Tijuana. Noemi and Mamá wait for days, then weeks. Belinda encourages them to stay hopeful and explains that she was picked to become the Notebook Keeper—and how she will select her own replacement when her number is finally called. Taking a cue from Belinda, Noemi decides to stay positive and be kind to those around her. She and her mother are eventually chosen to be the new Notebook Keepers when Belinda’s number comes up. Noemi and Mamá are Mexican and brown-skinned; other asylum seekers at the border represent a variety of ethnicities and brown skin tones. The story is uncomplicated and earnest while explaining a deeply nuanced aspect of attempting to enter the United States as a refugee. Dreamy colored pencil, pastel, gouache, and Photoshop collage illustrations put a human face on the real struggle facing so many refugees today. (This book was reviewed digitally.)
A hopeful story that encourages compassion. (sources) (Picture book. 5-10)Pub Date: June 21, 2022
ISBN: 978-0-593-30705-2
Page Count: 40
Publisher: Random House Studio
Review Posted Online: April 26, 2022
Kirkus Reviews Issue: May 15, 2022
It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists.
How to raise money for a coveted poster: put your friends to work!
John, founder of the FUBU fashion line and a Shark Tank venture capitalist, offers a self-referential blueprint for financial success. Having only half of the $10 he needs for a Minka J poster, Daymond forks over $1 to buy a plain T-shirt, paints a picture of the pop star on it, sells it for $5, and uses all of his cash to buy nine more shirts. Then he recruits three friends to decorate them with his design and help sell them for an unspecified amount (from a conveniently free and empty street-fair booth) until they’re gone. The enterprising entrepreneur reimburses himself for the shirts and splits the remaining proceeds, which leaves him with enough for that poster as well as a “brand-new business book,” while his friends express other fiscal strategies: saving their share, spending it all on new art supplies, or donating part and buying a (math) book with the rest. (In a closing summation, the author also suggests investing in stocks, bonds, or cryptocurrency.) Though Miles cranks up the visual energy in her sparsely detailed illustrations by incorporating bright colors and lots of greenbacks, the actual advice feels a bit vague. Daymond is Black; most of the cast are people of color. (This book was reviewed digitally.)
It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists. (Picture book. 7-9)Pub Date: March 21, 2023
ISBN: 978-0-593-56727-2
Page Count: 40
Publisher: Random House
Review Posted Online: Dec. 13, 2022
Kirkus Reviews Issue: Jan. 1, 2023
The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted...
Reinvention is the name of the game for two blobs of clay.
A blue-eyed gray blob and a brown-eyed brown blob sit side by side, unsure as to what’s going to happen next. The gray anticipates an adventure, while the brown appears apprehensive. A pair of hands descends, and soon, amid a flurry of squishing and prodding and poking and sculpting, a handsome gray wolf and a stately brown owl emerge. The hands disappear, leaving the friends to their own devices. The owl is pleased, but the wolf convinces it that the best is yet to come. An ear pulled here and an extra eye placed there, and before you can shake a carving stick, a spurt of frenetic self-exploration—expressed as a tangled black scribble—reveals a succession of smug hybrid beasts. After all, the opportunity to become a “pig-e-phant” doesn’t come around every day. But the sound of approaching footsteps panics the pair of Picassos. How are they going to “fix [them]selves” on time? Soon a hippopotamus and peacock are staring bug-eyed at a returning pair of astonished hands. The creative naiveté of the “clay mates” is perfectly captured by Petty’s feisty, spot-on dialogue: “This was your idea…and it was a BAD one.” Eldridge’s endearing sculpted images are photographed against the stark white background of an artist’s work table to great effect.
The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted fun of their own . (Picture book. 5-8)Pub Date: June 20, 2017
ISBN: 978-0-316-30311-8
Page Count: 40
Publisher: Little, Brown
Review Posted Online: March 28, 2017
Kirkus Reviews Issue: April 15, 2017
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