Next book

MERDE HAPPENS

Amusing travelogue from an engaging narrator who never lets a little bad news mess with his joie de vivre.

Snafus abound as Clarke’s doppelganger Paul West (In the Merde For Love, 2006, etc.) leaves France under a cloud and attempts to recoup his fortunes with a U.S. road trip.

“I’d set off on a simple PR consultant’s job and was going to end up as a seminaked footwear model,” moans Paul. The taxman has him by the short hairs, so he takes a job with Visitor Resources: Britain (“the good old Tourist Authority until some trendy twit in the government decreed that it sounded too ‘yesterday’s generation’ or whatever”) to promote that country’s tourism via a number of events in select American cities. Unsurprisingly, but gratifyingly, each of the stops becomes the opportunity for a complete fiasco. While in Boston, he gets involved in a fistfight at an Indian restaurant; in Miami the mayor’s appearance is immaterial because “everything here organized by the Cubans and the realtors,” Paul’s contact tells him. As his business trip goes south, so too does his relationship with Alexa, the firebrand socialist bombshell filmmaker who has already alienated America’s working folk (“waddat fuggen bitch jess sayda me?” a woman trucker inquires) and then makes herself scarce for a dangerous extrarelational liaison. No matter, for while West’s inamorata has disappeared, that can’t be said of his anatomical fixations, his desperate jokes or the absurdist moments that find his hotel room in flames, his car under hijack or an alligator taxidermist making a midnight visit. Clarke works his humor in a frantic, colorful choreography of mayhem, like Busby Berkeley conducting Harold Lloyd. Running gags concerning a kilt and a group of French engineers are weak vehicles for dramatic unity, but the comedic, frequently alcohol-fueled vignettes have the verve to stand on their own. “You’re drunk,” is Alexa’s frequent complaint. In West’s business-ambassador shoes, you would be too.

Amusing travelogue from an engaging narrator who never lets a little bad news mess with his joie de vivre.

Pub Date: May 1, 2008

ISBN: 978-1-59691-527-5

Page Count: 384

Publisher: Bloomsbury

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 2008

Categories:
Next book

THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

Categories:
Next book

NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

Categories:
Close Quickview